Christopher James 7/17/26 Christopher James 7/17/26

(NEWS) MIDSUMMER SCREAM Celebrates 30 Years of “SCREAM” with PARAMOUNT SCARES

As a lifelong horror fan, I've never been more excited for Midsummer Scream than for any other event. Every year, horror fans from around the world gather to celebrate the genre we all love, making it one of the country's biggest and most anticipated horror conventions. From meeting legendary actors and filmmakers to exploring haunted attractions, discovering incredible vendors, and celebrating everything from slashers to the supernatural, the convention has earned a reputation as a must-attend event for horror enthusiasts. Midsummer Scream is presented by David Markland (Co-Founder/Executive Director), Gary Baker (Co-Founder/Executive Producer), Claire Dunlap (Co-Founder/Producer), and Rick West (Co-Founder/Creative Director). Their goal is to showcase the diversity of Southern California’s haunt and horror communities as a welcoming beacon, drawing fans from around the world to converge on Los Angeles for a weekend of excitement, networking, and nonstop spooky fun.

This year is especially meaningful for me because it marks my first official horror convention. After years of interviewing people from all walks of the horror world, reviewing films, and immersing myself in the horror community, I finally get to experience the excitement firsthand. I can't wait to share the journey, meet fellow fans, and see what unforgettable scares and surprises await at my first Midsummer Scream. Things will be even more exciting for me and fellow horror fans with Midsummer Scream’s newest announcement. Here is the info:

FROM THE MIDSUMMER SCREAM PRESS RELEASE:

LONG BEACH, CA — There are certain rules that one must abide by to celebrate a horror franchise as esteemed as Scream... and rule number one is you never, ever miss a reunion this big. In an unprecedented partnership with Paramount Scares, Midsummer Scream is thrilled to announce a massive, weekend-long celebration marking the 30th Anniversary of Wes Craven’s genre-shattering masterpiece.

Creeping into the Long Beach Convention Center from August 7-9, the massive three-day event includes hundreds of spooky vendors, over a dozen haunted experiences inside the Hall of Shadows, and panels, presentations, and performances across seven different stages all weekend long.

The Ultimate Woodsboro Reunion

Horror fans can meet the original survivors and killers of Woodsboro for autographs, selfies, and professional photo-ops throughout the weekend, including:

· Matthew Lillard (Stu Macher)

· Skeet Ulrich (Billy Loomis)

· David Arquette (Dewey Riley)

· Jamie Kennedy (Randy Meeks)

· Lee Waddell (stunt actor), Joseph Whipp (Sheriff Burke), and more!

For those needing something that stabs deeper, an incredibly limited number of fans can book a private meet-and-greet with Roger L. Jackson, the voice of Ghostface himself, record a custom voicemail, or audio greeting. Celebrity photo-ops and the Roger L. Jackson meet-and-greet can be ordered through Pose Photo-Ops here.

Step Inside the Paramount Scares Bradley Video Store

PARAMOUNT SCARES is rewinding to Woodsboro 1996 for SCREAM's 30th anniversary, recreating Bradley Video — the fictional store where the nightmare began — right on the Midsummer Scream floor, with best fright-friends FANGORIA manning the counter old-school style, playing genre expert to help fans dig up hidden gems worth renting instantly. Ghostface photo ops and merch giveaways await anyone brave enough to ask "do you like scary movies?"

Can’t-Miss Weekend Panels

The weekend’s programming is packed with dynamic, heavy-hitting panels that will gut you like a fish:

· Saturday, August 8: Matthew Lillard takes the stage to host the SCREAM 30th Anniversary Panel, promising special guests, wild franchise insights, and plenty of chaotic audience engagement.

· Sunday, August 9: Dive deep into the auditory terror that kept you looking over your shoulder with THE SOUND OF SCREAM. This panel features master horror composer Marco Beltrami, Spencer Charnas (frontman of Ice Nine Kills), Roger L. Jackson, film producer Marianne Maddalena, and music supervisor Ed Gerrard. Together, they will dissect the spine-chilling music, terrifying vocal delivery, and razor-sharp audio that defined the franchise.

An Exclusive Slice of Horror History

In honor of the anniversary, attendees can snag a special Midsummer Scream edition of Fangoria Magazine, available only at the show. Featuring a blood-pumping cover starring Ghostface, this collector’s item is packed with archival articles, deep dives, and retrospective looks at Midsummer Scream’s 2026 guest line-up.

Don’t Get Woozy! Admission Will Sell Out Soon!

"Weekend" and "Gold Bat VIP" passes have already been slashed to zero and are completely sold out. If you want to make it to the final credits, you need to move fast and visit midsummerscream.com as single-day passes are on the verge of selling out next.

Midsummer Scream has been on my horror “bucket of blood” list for years, and the fact that my first visit coincides with such a massive celebration of one of my all-time favorite horror franchises makes the experience even more special. Whether you're a lifelong “Scream” fan, a haunt enthusiast, or simply someone who loves everything horror (like yours truly here), this year's convention looks like it's going to be one for the history books. I'll be there every step of the way, covering the event for my podcast “I Love Horror”, and I can't wait to share everything I experience with all of you. See you in Long Beach!

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/16/26 Christopher James 7/16/26

FRIGHT NIGHT FIRST LOOKS: “DON’T MOVE” Delivers Big Scares With Its First Trailer

Making people laugh and making people scream may seem like completely different skill sets, but history has proven otherwise. Both rely on perfect timing, catching an audience off guard, and knowing exactly how to get a reaction. That's why it shouldn't come as much of a surprise that some of horror's biggest success stories have come from comedians. Jordan Peele shocked the film world when he traded sketch comedy for modern horror classics "Get Out," "Us," and "Nope," becoming one of the genre's most celebrated filmmakers. Bobcat Goldthwait stepped behind the camera to deliver the unsettling found-footage thriller "Willow Creek," while Danny McBride helped resurrect the "Halloween" franchise as a writer and producer. Each proved that if you can control an audience's emotions, it doesn't really matter whether they're laughing... or gripping the armrest hoping for a distraction to soften the fear.

Over the past several years, James "Murr" Murray has been writing his own chapter in that story. Best known as one of the stars of "Impractical Jokers," Murray has steadily earned respect among horror fans with a string of successful novels co-written with Darren Wearmouth, including "Awakened," "The Brink," "The Stowaway," "Area 51," and "Don't Move." His books blend relentless suspense, memorable monsters, and cinematic storytelling, proving there's much more to Murray than hidden cameras and practical jokes.

That journey has now reached its biggest milestone yet. "Don't Move," the bestselling novel that introduced readers to one of Murray's most suspenseful stories, is making the leap from page to the big screen. The official trailer has finally arrived, giving horror fans their first look at the monstrous creature lurking within its pages.

As an avid horror fan who's watched more creature features than I can count, I walked away genuinely impressed. The trailer got me more than once with its perfectly timed jump scares, pulled me in with its stunning cinematography, and introduced a cast of characters I was already invested in after only a few minutes. Just as importantly, it knew exactly what not to show, teasing the creature just enough to build suspense without giving away all its secrets. If this first look is any indication, "Don't Move" is shaping up to be one of the year's most exciting creature features, and I can't wait to experience those scares all over again when I see it on the big screen.

Directed by Maclain Nelson, "Don't Move" is written by James "Murr" Murray, David M. Wulf, and Ethan Jack Berman. The film stars Lyndsy Fonseca, Russell "Russ" Vitale, Tom Cavanagh, Hunter King, Joseph Lee Anderson, and Rob Riggle, with special appearances by T-Pain, Brian Quinn, and Matt Biedel. The official synopsis reads:

“An annual camping trip takes a horrifying turn when a church group unknowingly wanders into an uncharted section of a remote forest, where its members begin disappearing one by one. As panic spreads, suspicion falls on Ricky (Russell "Russ" Vitale), the group's resident troublemaker, whose mysterious behavior makes him the obvious suspect. But the deeper they venture into the woods, the more terrifying the truth becomes: they're being hunted by a massive, spider-like predator with an insatiable appetite.

Caught in a deadly maze of webs that alert the creature to their every movement, escape seems impossible. Their only hope rests with Megan Forrester (Lyndsy Fonseca), the group's level-headed leader, who is still grappling with a recent personal tragedy. Forced to decide whether Ricky is an enemy or their best chance at survival, Megan must lead the remaining survivors through a nightmare where even the smallest movement could mean a gruesome death. Their only chance to make it out alive is to do the one thing every instinct tells them not to... Don't Move.”

As someone who's always had a soft spot for creature features, I loved this trailer. I enjoy seeing practical tension, memorable monsters, and strong characters come together in a way that keeps you glued to the screen. Based on this first trailer, "Don't Move" looks like it's aiming to deliver exactly that. I have a very good feeling that horror fans will have a lot to talk about once it hits theaters. Full disclosure: I genuinely had moments when a couple of jump scares got me, so I am pretty confident I will love this movie (not to mention I already do love Murr’s work in the horror world).

Now I want to hear from my fellow horror fans. After watching the trailer, what moment hooked you the most? Was it the heart-pounding jump scares, the eerie atmosphere, the creature itself, or maybe a scene that gave you chills? Drop a comment on my socials here and let me know your favorite part of the trailer. Stay tuned for more info and news coming soon. You can watch my full reaction video to the trailer here.

Christopher James 7/15/26 Christopher James 7/15/26

(NEWS) TERROR FILMS Teams With Vertical Platform MICROHOUSE FILMS

For years, Terror Films Releasing has been helping redefine what independent horror can achieve. Long before many of today's cult classics found their audiences, Terror Films recognized the potential in bold, unconventional filmmakers and gave their stories a platform. By championing films like the "Hell House LLC" Franchise, "The Taking of Deborah Logan,""Patient Seven," and "Savageland," the company has helped elevate independent horror into some of the genre's most celebrated modern success stories. Now, as the way audiences consume entertainment continues to evolve, Terror Films is once again embracing the future. Their latest partnership with Microhouse Films demonstrates that they're not only changing how horror is produced and distributed, but also how fans discover and experience it, ensuring the next generation of indie horror reaches viewers wherever they're watching. They recently sent me some news regarding a new partnership that is going to take our fandom of their work to the next level. Here is the news!

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Terror Films Releasing, the digital genre distributor behind indie horror gems such as the "Hell House LLC Franchise,""Patient Seven,""The Taking of Deborah Logan,""Savageland," and more, has teamed up with the newly launched vertical platform, Microhouse Films, to bring select content to its vertical platform. Autumn Federici, Co-Founder of Microhouse Films, had this to say about the collaboration:

"Microhouse Films was created to give filmmakers more ways to distribute, monetize, and extend the reach of their work. Joe Dain and Terror Films have long been committed to supporting independent filmmakers, making them a natural partner as we bring exceptional independent films to the vertical format. These stories now have the opportunity to reach a new generation of mobile-first viewers while creating additional revenue opportunities for filmmakers."

Microhouse, which officially launched on July 7, is a creator-driven entertainment studio developing premium vertical storytelling experiences for mobile-first audiences. Through partnerships with creators, talent, and leading entertainment brands, Microhouse Films acquires and produces original content designed for the next generation of viewers.

Microhouse Films has no subscription fee and requires no fee to upload or host content. Through an ad-free model, filmmakers can choose which episodes to offer for free and which to place behind a credit-based system, retaining control over pricing, release strategy, and revenue.

Microhouse Films was founded by Taye Diggs, Autumn Federici, Shelby Stone, James Black, and Troy Brookins.

"The rise of the micro vertical format is one of the biggest shifts in digital media since streaming began, and Microhouse is offering access to independent content in a way we have yet to see in this space. This is a strategic step toward sharing our incredible indie filmmakers' content with the masses in this popular format, and we're thrilled to be working with the Microhouse team," stated TFR CEO, Joe Dain.

As part of the partnership, Terror Films has released two new horror films in an exclusive window on July 7 as part of Microhouse's official launch.

"Episode 12" Directed by Shawn Robinson

On June 6, 2023, a television show called Paranormal Closure was abruptly and mysteriously pulled from all broadcast stations with no official statement as to why. One year later, a video surfaced online claiming to be from an episode that never aired. Official Trailer:

"Beliath" Directed by Cristian Peters

What begins as a routine crime report soon spirals into a descent through eerie folklore, buried cults, and unsettling discoveries that blur the line between journalism and obsession.

Both films are exclusively available on Microhouse and will be released across multiple digital platforms sometime in late August. Additional TFR titles available on the app include "Terror Tales: Poetry & Death Volume One,""Restitution," as well as two documentary films, "22" and "Unmasking Monsters Below," from TFR's sister label, Global Digital Releasing. Visit the Microhouse Films website for a free preview and to download the app here.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/6/26 Christopher James 7/6/26

(NEWS) FOUND TV’S Jagged July Releases Coming Soon

Every month, Found TV proves why it's become the go-to destination for found footage horror fans, delivering a carefully curated mix of hidden gems, cult favorites, and exclusive original films you won't find anywhere else. This month, "Jagged July" slices its way onto the platform with another lineup designed for anyone who loves shaky cameras, terrifying discoveries, and stories that feel just a little too real. Beyond celebrating the genre's past, Found TV continues to shape its future by championing independent filmmakers and expanding its growing slate of original productions, making it one of the most exciting homes for found footage horror today. From exclusive originals to unforgettable frights, "Jagged July" is another reminder that Found TV continues to be the premier destination for found footage horror. Dim the lights, shut the blinds and get ready. Mark your calendars for these upcoming releases.

July 3 – "The Monster Project" (2017) - A recovering drug addict takes a job with a documentary crew planning to interview three subjects who claim to be real-life monsters. Available in North America and Australia only.

July 7 – "Yami Douga 24" (2020) - The 24th installment in the "Yami Douga" series.

July 10 – WORLD RELEASE & FOUND EXCLUSIVE: "Himalaya: Black Ice Edition" (2026) - A live investigation of the supernatural goes horribly wrong, unleashing a primitive Himalayan creature known as the Snow Ghost.

July 14 – "The Dark Tapes" (2016) - A genre-defying blend of horror, science fiction, myth, mystery, and thrills unfolds through four interconnected stories. Ghosts, spirits, creatures, demons, and other paranormal entities collide with rational curiosity in this intelligent anthology. Available in North America only.

July 17 – "The Hounds Gate Haunting" (2025) - When an amateur theater troupe stages a ghost story at Nottingham's historic Hounds Gate Theatre, they awaken the venue's real-life phantom. Can they escape before it's too late?

July 21 – "Yami Douga 25" (2020) - The 25th and final installment in the "Yami Douga" series.

July 24 – WORLD RELEASE & FOUND ORIGINAL: "I Hate Found Footage" (2026) - When two roommates head into the woods to make a found footage movie, they stumble across something they never expected. Their low-budget film shoot quickly turns into a desperate fight for survival in this horror-comedy.

July 28 – "Man Chicken" (2025) - In this found footage horror-comedy, two brothers set out to find the urban legend known as "Man Chicken." As they venture deeper into the forest, the terrifying truth begins to reveal itself.

July 31 – "#ChadGetsTheAxe" (2022) - Four social media influencers livestream their visit to Devil's Manor, the former home of a satanic cult. Available in the United States and Canada only.

July is shaping up to be a massive month for found footage and supernatural horror. This month’s lineup continues FOUND TV’s commitment to delivering unsettling found footage films, paranormal storytelling, and unique genre filmmaking from around the world. With a mix of original productions, exclusive releases, cult favorites, and disturbing late-night discoveries, there’s something here for every horror fan. Whether you’re into haunted investigations, psychological breakdowns, cursed recordings, or digital-age nightmares, July’s releases offer plenty of reasons to keep the lights on. If you’re new to FOUND TV, use my code ILOVEHORROR for $5 off your yearly subscription.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/2/26 Christopher James 7/2/26

(REVIEW) "FRANKIE, MANIAC WOMAN" Brings Bloody Mayhem to VOD July 14th

Horror has always had incredible women. For years, many were expected to spend two hours running from the killer instead of becoming one. Thankfully, those days are becoming less common. Modern horror has moved well beyond the traditional "final girl" formula, embracing women as complex protagonists, antiheroes, and sometimes even the very villains who steal every scene they're in. It's a welcome evolution for the genre because it has opened the door to more original stories, deeper characters, and filmmakers who aren't afraid to take creative risks. Some of the most memorable horror movies don't simply ask who survives until the credits roll. They question what occurs when our hero transforms into someone others dread. As a lifelong horror fan, I love seeing that kind of storytelling because it keeps the genre evolving instead of relying on the same formula time and time again. We all want to be scared, but what I think we want more is scares in a new and unique way that keeps life as a horror fan that much more interesting.

I recently had the chance to check out "Frankie, Maniac Woman," directed by Pierre Tsigaridis and co-written by Tsigaridis and Dina Silva. The film follows Frankie Ramirez, an aspiring singer-songwriter whose childhood trauma, insecurities, and relentless pressure to meet impossible beauty standards slowly push her toward a psychological breaking point. What begins as an intimate character study gradually becomes a brutal slasher filled with dark humor, shocking violence, and an emotional core that gives the story far more depth than I expected. Dina Silva leads the cast alongside Rocío de la Grana, Stefanie Estes, Jordan Kelly DeBarge, Tim Fox, and a talented supporting ensemble that brings Frankie's increasingly chaotic world to life. On paper, the premise may sound familiar, but the execution quickly proves otherwise. Rather than rushing headfirst into the bloodshed, the film patiently builds its characters and themes before pulling the rug out from under both Frankie and the audience. The result is a slasher that feels emotionally grounded, but once the gloves come off, so do a few body parts.

One of the first things that immediately grabbed my attention was the movie's visual style. Opening in black and white before gradually bursting into full color is such a bold, creative choice, and thankfully it's much more than a gimmick. The shift mirrors Frankie's emotional descent, making each splash of color feel like another piece of her sanity slipping away. It instantly reminded me of "Kill Bill," only this feels like its psychotic cousin that traded martial arts for gallons of blood and complete emotional chaos. Every frame has a purpose, and the cinematography never loses sight of the story it's trying to tell. It's stylish without becoming distracting, proving that you don't need an enormous budget to create memorable visuals when you have a clear artistic vision.

What I appreciated even more was how naturally the movie blends its horror with real-world issues. Beneath all the blood and brutality is a story about the impossible standards women are expected to live up to every single day. Whether it's body image, appearance, or the constant pressure to chase an unrealistic idea of perfection, "Frankie, Maniac Woman" taps into those anxieties without ever feeling preachy. Instead, it allows those struggles to fuel Frankie's transformation in a way that feels believable, tragic, and, at times, surprisingly heartbreaking. The horror works because the emotional foundation is already there. By the time Frankie's world completely unravels, you understand why she's reached that breaking point, even if you can't justify where she ultimately goes.

As much as I enjoyed the story, the movie simply wouldn't work as well without Dina Silva's performance. She completely disappears into the role, making Frankie's transformation from vulnerable and hopeful to terrifyingly unhinged feel incredibly natural. It would have been easy to play the character as over-the-top once the violence starts, but Silva shows remarkable restraint early on, allowing every emotional crack to build until everything finally explodes. By the end of the movie, I wasn't watching an actress trying to act crazy. I was watching someone who genuinely felt like they had reached the point of no return. I was also pleasantly surprised by what a talented singer she is, which adds even more authenticity to Frankie's dream of making it in the music industry. Without her performance, this movie simply wouldn't have had the same emotional impact.

The supporting cast deserves plenty of credit as well. Every character feels like they belong in Frankie's world instead of existing simply to become another name on the body count. Their performances help establish the relationships and emotional stakes that make the second half so satisfying. That's something many slashers overlook, but it makes a noticeable difference here. When the chaos finally erupts, there's genuine weight behind what's happening because the movie took the time to make these characters feel like real people. Combined with the screenplay and Pierre Tsigaridis' confident direction, the performances help everything come together in a way that feels surprisingly seamless.

Let's talk about the gore because, honestly, this is where "Frankie, Maniac Woman" completely won me over (besides the amazing storyline of course). If you're anything like me, practical effects will almost always beat CGI, and this movie reminded me exactly why. Every kill feels handcrafted with genuine care and creativity. The blood has weight to it. The makeup effects feel tangible, and nothing ever looks overly polished or artificial. Every gruesome moment has a physical presence that pulls you deeper into the madness instead of taking you out of it. My inner practical-effects nerd couldn't stop smiling. It's movies like this that remind me why I love championing independent horror. When filmmakers trust talented effects artists instead of relying on digital shortcuts, the results almost always leave a much bigger impression.

One of the things I appreciate most about independent horror is the willingness to take creative risks. Major studios tend to use safe transitions in films, while independent filmmakers take risks, even if it unsettles viewers. "Frankie, Maniac Woman" embraces that mindset from beginning to end. More than anything, it feels like a movie made by people who genuinely love horror. You can feel that passion in nearly every frame, and that enthusiasm becomes contagious as the movie continues to spiral into absolute insanity.

One sequence that has stayed with me ever since the credits rolled is the bathtub overflowing with body parts. I never thought I'd describe a bathtub full of severed limbs as visually impressive. Still, horror has a funny way of making you appreciate things you'd probably never admit in public. It's grotesque, disturbing, and somehow strangely beautiful from a practical effects standpoint. You can't help but admire the craftsmanship behind it because every detail looks like it was created with care instead of convenience. Those are the moments horror fans tend to remember long after the movie ends, and this one absolutely earns its place among them.

As a lifelong horror fan, I also couldn't help but appreciate the love this movie shows for "The Texas Chain Saw Massacre." You can feel that influence woven throughout the film, but it never comes across as imitation. Instead, it feels like a genuine tribute from filmmakers who clearly understand why that classic continues to inspire generations of horror fans. That admiration becomes especially apparent during the finale, which was easily one of my favorite parts of the movie. I caught myself grinning as the inspiration became more obvious, not because I felt like I'd seen it before, but because "Frankie, Maniac Woman" still had the confidence to carve out its own identity while tipping its hat to one of the greatest horror movies ever made. Even during the bloodiest moments, the cinematography never loses its composure. Every shot feels carefully crafted, proving that style and brutality can absolutely coexist.

If I had one criticism, it's that the first act takes a little longer to find its footing than I personally prefer. I'll admit there was a point where I found myself waiting for things to really kick into gear. If you're expecting nonstop carnage right from the opening scene, you may find yourself checking the clock once or twice. Stick with it. Once the movie flips the switch, it rarely lets up. Looking back, that slower beginning gives the second half far more emotional weight, making Frankie's transformation feel earned instead of rushed. Sometimes patience really does pay off, and I think that's exactly the case here.

A tremendous amount of credit belongs to Pierre Tsigaridis, whose direction gives every creative decision a clear sense of purpose. From the striking black-and-white opening to the explosion of color, from the quieter emotional moments to the blood-soaked chaos that follows, everything feels intentional. Pair that with the screenplay from Pierre Tsigaridis and Dina Silva, and you get a film that balances psychological horror, social commentary, dark humor, and old-school slasher mayhem without ever losing its focus. That's a difficult balancing act, but the filmmakers make it look remarkably effortless. More importantly, they never lose sight of the emotional story underneath all the carnage, and that's what gives the movie its lasting impact.

By the time the credits rolled, I found myself thinking about "Frankie, Maniac Woman" long after the movie was over, and that's one of the biggest compliments I can give any horror movie. It's stylish, brutal, emotionally grounded, and anchored by a lead performance that exceeded every expectation I had going in. Dina Silva delivers the kind of performance that makes you forget you're watching someone act. There were several moments where I completely forgot there was even a camera in the room because her emotional descent felt so authentic. That's not something every horror movie can pull off.

More importantly, this is exactly the kind of film that reminds me why I love seeking out independent horror. Sometimes all a horror fan really needs is a compelling story, memorable characters, buckets of fake blood, filmmakers with a genuine passion for the genre, and the confidence to try something different. "Frankie, Maniac Woman" delivers on every one of those fronts. If you're looking for a slasher that blends heart, horror, memorable practical effects, and a fresh perspective on female-led horror, make sure to check it out when it arrives on VOD and digital platforms on July 14. If independent horror continues heading in this direction, horror fans have a lot to be excited about, and I can't wait to see what the filmmakers behind this one do next.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/29/26 Christopher James 6/29/26

(NEWS) “DON’T MOVE” Will Have You Running To Theaters This September

When a horror novel makes the leap from the page to the big screen, everybody wins. Readers get the excitement of watching the terrifying moments they've imagined come to life. At the same time, moviegoers discover a brand-new horror story that might just send them racing to the nearest bookstore after the credits roll. Some of horror's most memorable films started as novels (“Bram Stoker’s Dracula,” for example). Every new adaptation brings another opportunity to see how filmmakers interpret the scares, creatures, and suspense that first captivated readers. It's one of my favorite things about the horror genre. There's always that fun debate over which version is better, but before that conversation even begins, it's exciting to see another horror story earn its chance on the silver screen.

That opportunity arrives this September with "Don't Move," the upcoming creature feature directed by Maclain Nelson and based on the chilling novel "Don't Move" by James "Murr" Murray and Darren Wearmouth. The film follows a stranded group of campers who unknowingly hike into the wrong stretch of wilderness, only to discover they're being hunted by a prehistoric arachnid that has no intention of letting anyone leave alive. If giant spiders weren't unsettling enough already, this one looks ready to unlock a whole new level of nightmare fuel. The film stars Lyndsy Fonseca, T-Pain, Russ, Tom Cavanagh, Hunter King, Rob Riggle, and Joseph Lee Anderson, assembling an eclectic cast that's more than capable of bringing this suspense-filled survival story to life. Seeing T-Pain step into the horror genre alongside such a talented ensemble only adds another layer of intrigue to what is already shaping up to be a fun creature feature.

While many people know James "Murr" Murray as one-fourth of the wildly successful television series "Impractical Jokers," horror fans have watched him quietly build an impressive career as a horror author over the past several years (he has even teamed up and worked with famous children’s horror author R.L. Stine on “Nightmare on Nightmare Street”, " which was released this year in February). Teaming with Darren Wearmouth, Murray first ventured into horror with "Awakened," followed by its sequel "The Brink." He later delivered the pulse-pounding "Don't Move," the thriller "The Stowaway," and most recently, "You Better Watch Out," proving that his passion for horror extends far beyond practical jokes. It's been genuinely fun watching someone best known for making audiences laugh successfully transition into crafting stories designed to make readers squirm. This all but proves the old saying that if you can do comedy well, you can do anything.

As someone who's always happy to see more creature features crawling into theaters, "Don't Move" has quickly become one of my most anticipated horror releases of the year. There's something timeless about throwing ordinary people into an impossible situation against a monster they can't outrun, outfight, or outthink. If the film captures even half of the tension and suspense that made the novel such a page-turner, horror fans should be in for one seriously entertaining ride. And if you're counting down the days until opening night, now is the perfect time to pick up "Don't Move" and experience the story that started it all before seeing how it unfolds on the big screen.

"Don't Move" crawls exclusively into theaters on September 11, 2026. If you're anything like me, you may want to think twice before your next camping trip.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/24/26 Christopher James 6/24/26

Let Evil Out With The Newest Trailer For “LOCKBOX” (NEWS)

Demonic possession remains one of horror's most reliable sources of nightmare fuel. While trends come and go, there's something uniquely unsettling about the idea of an unseen evil force invading someone's life. Knowing that they are potentially lurking in the shadows, twisting reality, and turning the people we care about into something unrecognizable. It's a subgenre that continues to terrify audiences, and judging by its newly released trailer, "Lockbox" looks ready to deliver its own chilling take on supernatural horror.

The upcoming film comes from Daniel Stamm, the director behind "The Last Exorcism" and "Prey for the Devil," and follows Ellen, a grieving woman seeking a fresh start after the death of her mother. Hoping to find some peace, she relocates to a rural town and takes in her severely traumatized cousin, Winthrop. However, their fragile attempt at rebuilding their lives quickly begins to unravel when a troubled neighbor warns Ellen that Winthrop may be far more dangerous than he appears.

As strange and increasingly terrifying events begin to unfold, Ellen finds herself caught between protecting her cousin and confronting a sinister otherworldly entity determined to find him. The film's tagline, "Evil Wants Out," hints that whatever is hunting Winthrop may be connected to something far darker than anyone realizes.

Leading the cast is Carla Gugino, whose horror résumé includes "The Haunting of Hill House," "Gerald's Game," and "The Fall of the House of Usher." She's joined by Lou Taylor Pucci ("Evil Dead," "Touch Me") and Katharine Isabelle ("Ginger Snaps," "Backrooms"). Behind the scenes, the film is produced by Dark Castle Entertainment and Kearie Peak, with a screenplay by Soren Narnia and Justin Yoffe.

Personally, this trailer hooked me almost immediately. Rather than revealing every scare and plot point, it focuses on atmosphere, tension, and mystery. The imagery is unsettling, the performances look strong, and the trailer leaves just enough unanswered questions to make me want to see more. Plus, what a cast!! In an era where trailers often show far too much, it's refreshing to see one that understands the value of restraint.

Based on this first look, "Lockbox" is shaping up to be a supernatural horror film worth keeping an eye on. Horror fans can find out what happens when evil finally gets out when "Lockbox" arrives exclusively in theaters on July 3rd. Stay tuned for my full review.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/20/26 Christopher James 6/20/26

TERROR FILMS RELEASING Presents “FOLKLORE FRIDAYS: THE BIGFOOT ARCHIVES” (NEWS)

Just when you thought it was safe to go back to watching documentaries, Terror Films Releasing has traded “Terror Tuesdays” for “Folklore Fridays.” Their newest collection of cryptid documentaries promises mysterious creatures, unsettling legends, and enough nightmare fuel to keep your imagination working overtime.

From legendary creatures whispered about for generations to modern-day sightings that continue to spark debate, these stories have a way of lingering long after the credits roll. Whether you're a longtime believer, a curious skeptic, or someone who simply enjoys a good folklore-fueled scare, there's something undeniably fascinating about tales that blur the line between myth and reality. These are the kinds of stories that spark curiosity, fuel nightmares, and keep viewers looking over their shoulders long after the screen goes dark. Terror Films Releasing recently sent over a press release and dropped it straight into my “impending doom” inbox. Here’s the scoops:

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Seth Breedlove, Courteney Breedlove, Heather Moser, Aleksander Petakov, and Aaron Deese of SMALL TOWN MONSTERS have partnered with Terror Films Releasing to unleash 20 of their folklore documentaries across digital platforms.

The partnership kicked off in June with the release of five documentaries, dropping one every Tuesday throughout the month as part of what the genre distributor dubbed “Terrifying Tuesdays.” The terror continues this July, only this time with a new Bigfoot documentary arriving every Friday as part of what TFR is calling FOLKLORE FRIDAYS: THE BIGFOOT ARCHIVES.

For many viewers, this marks the first opportunity to watch these documentaries across major streaming platforms, including Vudu, Amazon, Tubi, and more. Check out the trailers and promotional artwork below, courtesy of TFR and STM.

July 3, 2026 — "Night of the Swamp Stalker"

Eyewitnesses recount chilling encounters with swamp-dwelling Sasquatch across Florida’s Everglades, Green Swamp, and Louisiana’s Honey Island. Featuring Lyle Blackburn, this raw, interview-driven documentary explores the enduring mystery of the legendary Skunk Ape.

July 10, 2026 — "Chasing Legends"

"Chasing Legends" follows dedicated Bigfoot researchers across North America—from Oklahoma’s Area X to the forests of Ohio—as they pursue evidence of the elusive creature. Through eerie encounters, unexplained sounds, and personal sacrifice, the film reveals how belief and obsession can blur the line between myth and reality.

July 17, 2026 — "The Alaskan Sasquatch Revealed"

Part of The Bigfoot Archives collection, "The Alaskan Sasquatch Revealed" investigates chilling encounters deep within Alaska’s rugged wilderness. Eyewitnesses describe towering, intelligent Sasquatches—some reportedly standing over ten feet tall—whose elusive nature raises unsettling questions about what may be lurking beyond the frontier.

July 24, 2026 — "Operation Silence"

"Operation Silence" explores claims of a government effort to suppress evidence of Bigfoot’s existence. Featuring experts, eyewitness testimony, and reports of secret recoveries and covert operations along Pennsylvania’s mysterious Chestnut Ridge, the documentary dives into one of the cryptid world's most controversial theories.

July 31, 2026 — "Sasquatch Hunters"

From grainy footage to cutting-edge technology, "Sasquatch Hunters" plunges viewers into the fascinating world of Bigfoot researchers, scientists, skeptics, and true believers. Through their encounters, evidence, and relentless pursuit of the unknown, the film examines why the legend continues to captivate so many.

Terror Films Releasing is a genre distribution and production company specializing in the acquisition and release of diverse, award-winning independent horror films. The company partners with more than 60 streaming and digital platforms worldwide, including Shudder, Screambox, Netflix, Tubi, Amazon Prime Video, and many more. To learn more, visit www.terrorfilms.net.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/16/26 Christopher James 6/16/26

TERROR FILMS RELEASING & SMALL TOWN MONSTERS Bring Cryptid Nightmares to "TERRIFYING TUESDAYS" (REVIEW)

One of the reasons I've always loved horror is that the genre doesn't end when the credits roll. Some of the best horror stories exist outside of movies entirely. The keep living on through folklore, eyewitness accounts, and legends that refuse to die. As horror fans, we spend a lot of time celebrating iconic killers, ghosts, and monsters on screen. In many aspects, I've always found it fascinating when I can trace those fears back to the stories that inspired them in the first place.

That's where horror documentaries come in. For me, they add another layer of appreciation to the horror genre. They allow me to dig deeper into the myths, local legends, and unexplained encounters that continue to fuel our collective obsession with the unknown. Whether it's Bigfoot wandering through the woods, a werewolf lurking on a forgotten backroad, or an ancient entity hiding in the shadows, these stories remind me why horror remains one of the most endlessly fascinating genres out there. Let’s be honest, a few things are more fun than watching a documentary that sends you down an internet rabbit hole at midnight when you should probably be sleeping. I am speaking from personal experience of course, but I can only assume my fellow horror fans are the same.

That's exactly why the partnership between Terror Films Releasing and Small Town Monsters feels like such a perfect match. Small Town Monsters has spent years building a reputation for producing documentaries that explore cryptids, folklore, and paranormal mysteries with genuine curiosity and respect. Now, thanks to Terror Films Releasing, twenty of those documentaries are making their way to wider audiences across major digital platforms.

To kick things off, TFR launched its "Terrifying Tuesdays" event throughout June, releasing a new documentary every Tuesday. The lineup began with "Tracking the Wendigo" on June 2, followed by "Still Watching: The Bigfoot Legacy of Salt Fork" on June 9, "Werewolves Unearthed" on June 16, "Skinwalker: The Howl of the Rougarou" on June 23, and "The Dogman Triangle: Werewolves in the Lone Star State" on June 30. Better yet, many of these documentaries are becoming available to wider audiences through Amazon Prime Video, Fandango at Home, Tubi, and other digital platforms. In other words horror fans, if your streaming queue wasn't already filled with horror content, Terror Films Releasing is here to fix that and entertain some fears into you.

"Tracking the Wendigo" (Released June 2)

Of the five documentaries in this lineup, "Tracking the Wendigo" may have been the one that intrigued me the most. The Wendigo has become a familiar figure in horror films, books, and video games, but this documentary digs into the legend's deeper roots and explores the cultural history behind the creature.

As someone who enjoys the folklore side of horror just as much as the scares themselves, I found this documentary particularly engaging. What stood out to me most was the film's willingness to approach the subject with respect rather than sensationalism. It never feels like it's trying to manufacture scares or force conclusions. Instead, it presents the history, stories, and modern accounts in a way that allows viewers to draw their own conclusions. Whether you're a believer or a skeptic, I think there's plenty here to appreciate. By the end, I wasn't looking for a Wendigo in the woods, but I definitely found myself thinking about the stories long after the documentary ended. If you get anything from this, it will be to spark your interest in the legend of the Wendigo or even fuel the fire (like it did for me) for why you love the legend of this cryptid so much.

"Still Watching: The Bigfoot Legacy of Salt Fork" (Released June 9)

At this point, Bigfoot has become the unofficial mascot of cryptid culture (unless you’re trying to be edgy and say Mothman deserves that spot. You know who you are). He's basically the celebrity guest star of the paranormal world. Yet "Still Watching: The Bigfoot Legacy of Salt Fork" manages to find a fresh angle by focusing on one of the most famous Sasquatch hotspots in America.

I've watched more Bigfoot documentaries than I can count, but this one stood out because of its focus on the people behind the legend. Seth Breedlove takes viewers into Ohio's Salt Fork State Park, where decades of sightings, encounters, and annual gatherings have helped create a modern cryptid landmark.

What makes the documentary work for me is its sincerity. It isn't interested in winning debates or converting skeptics. Instead, it focuses on the people, stories, and experiences that have kept the legend alive for decades. I found myself appreciating the passion of the witnesses and researchers, even when I wasn't entirely sure what to make of every claim. That's part of the fun with documentaries like this, you don't have to believe everything to enjoy the journey.

"Werewolves Unearthed" (Released June 16)

Werewolves don't receive nearly as much attention in the documentary world as Bigfoot, UFOs, or ghosts, which makes "Werewolves Unearthed" such a refreshing addition to the lineup.

I'll admit that Dogman stories aren't something I spend a lot of time researching, which is exactly why this documentary caught me off guard. Documentarian Ward Hiney and journalist Chad Christy investigate reports of Dogman encounters throughout the Ohio Valley and western Pennsylvania, uncovering stories that range from strange to genuinely unsettling.

One of the documentary's strengths is its treatment of eyewitnesses. Rather than mocking or dismissing their experiences, the filmmakers allow them to tell their stories while examining similarities between reports. I found myself increasingly invested as the documentary progressed, and by the end I was left with more questions than answers. Which, in my opinion, is exactly what a good paranormal documentary should do. This one will leave you howling at the moon for more. Fingers crossed we get another werewolf documentary in our futures.

"Skinwalker: The Howl of the Rougarou" (Released June 23)

The Rougarou is one of American folklore's most overlooked creatures, and "Skinwalker: The Howl of the Rougarou" does an excellent job bringing that legend to a wider audience.

Before watching this documentary, the Rougarou wasn't a cryptid I knew much about, which made discovering its history all the more interesting. Set against the swamps and bayous of the American South, the documentary explores stories of a creature said to have haunted the region long before modern settlements transformed the landscape.

For me, the setting became one of the documentary's greatest assets. The dense wilderness, isolated waterways, and rich cultural history create an atmosphere that feels tailor-made for supernatural storytelling. I particularly enjoyed how the film highlights a lesser-known legend rather than relying on the usual cryptid suspects. Sometimes horror's most interesting monsters are the ones that haven't already become household names. This will be one that is going to leave you wanting to dig that rabbit hole well into the wee hours to find out more.

"The Dogman Triangle: Werewolves in the Lone Star State" (Released June 30)

Closing out the month is "The Dogman Triangle: Werewolves in the Lone Star State," which follows Aaron Deese and Shannon LeGro as they investigate reports of Dogman activity throughout Texas Hill Country.

What I enjoyed most was feeling like I was tagging along on the investigation rather than simply watching it unfold from a distance. The documentary explores a region where witnesses claim encounters with creatures that defy explanation, creating what some have dubbed the Dogman Triangle.

The road-trip style of the investigation keeps things moving while allowing viewers to experience the mystery alongside the filmmakers. It's an entertaining blend of travel documentary, folklore exploration, and cryptid investigation that serves as a fitting conclusion to the Terrifying Tuesdays event. By the end, I found myself looking at remote stretches of Texas landscape and thinking, "You know what? Maybe I don't need to go hiking there after all."

With horror fans constantly searching for new stories, creatures, and legends to obsess over, Terror Films Releasing's Terrifying Tuesdays lineup arrives at the perfect time (especially for us horror fans who feel this year is the height of horror and we want as much content as we can get). Whether you're a lifelong cryptid enthusiast or someone who simply enjoys a good mystery, I think there's something in this lineup worth checking out.

What I appreciate most about documentaries like these is that they remind me that some of horror's greatest monsters didn't start in Hollywood. They started as stories shared around campfires, passed down through generations, and kept alive by people who swear they encountered something they still can't explain.

"Tracking the Wendigo," "Still Watching: The Bigfoot Legacy of Salt Fork," "Werewolves Unearthed," "Skinwalker: The Howl of the Rougarou," and "The Dogman Triangle: Werewolves in the Lone Star State" are available now or releasing throughout June as part of Terror Films Releasing's "Terrifying Tuesdays" event. Viewers can watch the documentaries on Amazon Prime Video, Fandango at Home, Tubi, and other participating digital platforms. For more amazing additions to the world of horror, look into the many terrifying films Terror Films Releasing has in their library.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/8/26 Christopher James 6/8/26

“DIABOLIC” Brings Faith & Fear to Blu-ray

Horror and religion have always made for an uncomfortable combination. Faith is supposed to provide answers, comfort, and a sense of purpose, but horror thrives on uncertainty. That's why stories centered around religious communities, cults, and extreme belief systems often hit differently than your average haunted house or slasher film. They tap into fears that feel deeply personal. As someone currently living in Utah, the unofficial capital of people knocking on your door to discuss faith and the occasional guilt that come with not being religious, I found myself connecting with some of the themes in “Diabolic” more than I expected. No, I wasn't chased by a vengeful witch after watching it, but the film's exploration of rigid beliefs and isolated religious communities definitely landed a little closer to home than most supernatural horror movies.

Directed by Daniel J. Phillips and co-written by Phillips and Mike Harding, “Diabolic” tells the story of Elise (played by Elizabeth Cullen), a woman who returns to the fundamentalist compound of the FLDS church where she was raised. Returning home is never easy, but it's especially difficult when your childhood memories are no longer with you, leaving you to piece together who you were, and a supernatural force that may or may not want you dead.

Right away, “Diabolic” establishes a sense of unease that never really lets up. The compound (which is a really just a cabin where the baptisms take place) itself almost feels like a character. It's isolated, unsettling, and carries the kind of atmosphere that makes you want to turn your car around and keep driving. There is a lot of darkness and thick air filled with something sinister that you vibe with as soon as the movie puts you there with the characters. Phillips does a fantastic job creating tension without constantly throwing jump scares at the audience. Instead, he allows dread to slowly seep into every scene like water finding its way through cracks in a basement wall.

Cullen is excellent as Elise. She gives the audience someone to root for while also conveying the emotional damage her upbringing left behind. Her performance feels genuine throughout, especially during the quieter moments when she's forced to confront memories, she'd rather leave buried. Horror often works best when the emotional struggles feel just as real as the monsters, and Cullen succeeds in making Elise's pain believable. The way she can pull all these range of emotions with her character at the drop of a hat that makes you anxious to see what will happen next for Elise.

The supporting cast helps bring the atmosphere and foundation of the movie to life. John Harlan Kim delivers a solid performance as Adam, while Mia Challis, Genevieve Mooy, Robin Goldsworthy, and the rest of the cast create a believable community that feels trapped between faith, fear, and loyalty. The relationships never feel forced, which helps the story remain grounded even as the supernatural elements begin taking center stage.

I was also fortunate enough to receive the Blu-ray release of “Diabolic”, and it's one horror collectors may want to keep on their radar. While streaming is convenient, this is one of those releases where the special features genuinely add value to the experience. The disc includes three separate audio commentaries featuring Daniel J. Phillips alongside cinematographer Michael Tessari, sound supervisor Hamish Keen, composer Will Spartalis, and editor Sean Lahiff. What I appreciated most is that each commentary offers a unique perspective on the film's many layers. One track explores the visual and production side of the movie, while others dig into the sound design, editing decisions, musical score, and the creative choices that helped shape the final product. Along with a promotional featurette and trailer, the Blu-ray provides a deeper look into the filmmaking process and serves as a reminder that physical media can still offer something streaming simply can't. If you're the type of horror fan who enjoys learning how a film comes together behind the scenes, there's plenty here to sink your teeth into.

What I appreciated most about “Diabolic” is that it understands the witch isn't the only source of horror. In fact, some of the film's most disturbing moments have nothing to do with the supernatural at all. The story explores how control can be disguised as guidance and how unquestioned authority can leave lasting scars. Those themes give the film additional weight and prevent it from becoming just another witch story.

Visually, the movie looks fantastic. The Australian landscape provides a beautiful backdrop that contrasts nicely with the darkness lurking beneath the surface. Wide shots emphasize the compound's isolation, creating the feeling that escape may not be as simple as hopping in a car and heading down the road. Even during daylight scenes, there's an underlying tension that keeps viewers on edge. The exterior shots of the small cabin surrounded by the eerie forest was mesmerizing, yet made you afraid of what was going to happen next.

The witch herself is handled with restraint, and that's a smart choice. Too many horror films reveal their monsters too quickly and end up diminishing their impact. “Diabolic” takes the opposite approach. The threat is often felt before it's seen, allowing the audience's imagination to do some of the heavy lifting. Sometimes what we don't see is far more terrifying than what we do.

The pacing won't work for everyone. If you're looking for wall-to-wall chaos and nonstop scares every five minutes, you may find parts of the film a little deliberate. Personally, I thought the slower pace worked in its favor. The movie takes time building its characters and atmosphere, which makes the payoff more satisfying when things begin unraveling. Not every horror movie needs to move at the speed of a caffeinated demon.

“Diabolic” also deserves credit for how it handles trauma. Elise's journey isn't simply about surviving a supernatural threat. It's about confronting a lifetime of emotional wounds and deciding whether she can finally break free from the hold her past still has on her. That emotional core gives “Diabolic” far more substance than many modern horror releases.

By the time the third act arrives, the tension reaches a boiling point. The supernatural and psychological elements collide in a way that feels earned rather than forced. Without venturing into spoiler territory, the finale delivers several memorable moments that should satisfy horror fans looking for both emotional and supernatural payoff. The side story of the mystery of Elise’s friend Clara is a great part of investigating more of what happened in her life there, as well as one hell of a twist.

“Diabolic” may not completely reinvent religious horror, but it doesn't need to. What it does offer is an unsettling blend of psychological tension, supernatural terror, strong performances, and meaningful themes. Daniel J. Phillips creates a world that feels authentic and disturbing, while Elizabeth Cullen anchors the story with a performance that keeps viewers invested from beginning to end.

If you're a fan of slow-burn horror that values atmosphere, character development, and creeping dread over cheap thrills, “Diabolic” is worth your time. It's a haunting examination of faith, trauma, and the dangers of blind devotion wrapped inside an effective supernatural thriller. Plus, if you happen to live in Utah like I do, don't be surprised if some of its themes hit a little harder than expected. Be sure to get your copy of “Diabolic” on DVD and Blu-ray today.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/4/26 Christopher James 6/4/26

What Lurks in the Woods Is Worse Than the Fall With “PITFALL”(2026)

There’s something uniquely terrifying about horror movies set in the woods. Maybe it’s because forests are among the last places where humanity truly feels outmatched. Cell phone signals disappear. People can vanish without a trace. Familiar landmarks fade so quickly that you don't realize how far you've drifted from safety until it's too late. Every tree begins to look exactly the same. The deeper you go, the more isolated you become, and that isolation awakens a primal fear buried deep within us. We are creatures who crave direction, safety, and certainty. The woods offer none of those comforts. Instead, they surround us with endless shadows, strange sounds, and the unsettling feeling that something could be watching from behind every tree.

When a horror film commits entirely to that setting, the forest itself often becomes the monster. "Pitfall" understands this fear remarkably well and uses it as the foundation for a tense, claustrophobic survival nightmare. In doing so, it proves that sometimes the scariest trap isn't the one you see coming—it's the one you never knew existed. Before I even get into my thoughts on "Pitfall," one thing is clear: the filmmakers came to play, and they came to win. This is very much a "fuck around in the woods and find out" kind of movie, but I digress. Let's get into it.

The premise is deceptively simple. A young man named Scott (Marshall Williams) becomes separated from his friends while hiking through the woods and suddenly finds himself plunging into a hidden ten-foot pit lined with sharpened spikes. The fall leaves him severely injured, helpless, and stranded at the bottom of a hole with seemingly no way out. What initially appears to be a horrific accident slowly reveals itself to be something much darker. As Scott struggles to survive, he realizes the trap may have been intentionally designed and that his presence inside it may not be a coincidence.

One of the greatest strengths of "Pitfall" is its ability to transform a relatively straightforward concept into something genuinely suspenseful. Many survival thrillers rely on constant movement, changing locations, or a rotating cast of threats. "Pitfall" takes the opposite approach. Much of the film unfolds within the confines of a single location, forcing viewers to experience Scott's desperation alongside him. Every failed attempt at escape, every painful movement, and every passing hour becomes increasingly agonizing. The movie understands that sometimes the most terrifying situations aren't the loudest ones. Sometimes horror comes from being trapped, injured, alone, and slowly realizing that no one may be coming to save you.

Marshall Williams delivers one of the film's most compelling performances as Scott, a character whose emotional journey becomes just as gripping as the physical dangers lurking throughout the story. At the beginning, Scott hides behind carefully constructed walls, masking the deep pain and unresolved trauma stemming from the loss of his parents in a car accident. Williams portrays this internal struggle with authenticity, allowing viewers to see a man desperately trying to outrun emotions he has buried for far too long.

As the story unfolds, Scott is forced to confront those feelings head-on, leading to some of the film's most powerful moments. There are scenes where he is literally arguing with himself, challenging his fears and insecurities while trying to find the strength to push forward as everything around him falls apart. Watching Scott transform from someone emotionally closed off and hesitant into a man fueled by determination, rage, and survival instinct is incredibly satisfying. Williams captures every stage of that evolution, making the character feel genuine and relatable. His scenes trapped and injured in the pit are among the film's strongest, showcasing both physical and psychological vulnerability. Outside of the movie's impressive kills and gore effects, these sequences stand out as some of the most memorable moments in "Pitfall," giving the film a surprising human element that lingers long after the credits roll.

Also starring in the film is Richard Harmon as Lars, and he delivers another strong performance that horror fans have come to expect from him. While many viewers may recognize Harmon from "Final Destination: Bloodlines," here he proves that even in a supporting role, he can command attention whenever he's on screen. Lars could have easily been written as a one-dimensional side character, but Harmon brings depth, humor, and heart to the role. His sarcastic personality often serves as a shield against the fear and uncertainty surrounding him, but beneath that humor is a character genuinely terrified of losing his best friend. His concern for Scott feels authentic, and Harmon has strong chemistry with the entire cast. He gives Lars both vulnerability and courage whenever the danger escalates, making him far more than just comic relief.

The supporting cast is equally important to the film's success. Alexandra Essoe once again proves why she remains one of horror's most reliable talents, bringing a commanding presence to every scene she inhabits. Randy Couture adds a rugged authenticity that complements the film's gritty atmosphere, while Jordan Claire Robbins and Matt Hamilton round out the ensemble with strong performances that help make the story feel lived-in and believable.

What makes the cast particularly effective is that each actor brings their own unique flavor to the film. Every character is portrayed differently, with distinct personalities, motivations, and energy that prevent anyone from blending into the background. Individually, the performances are engaging, but when they come together, they create a chemistry that elevates the material beyond a simple survival thriller. Their shared performance makes for one hell of a movie and gives the audience characters they can actually invest in rather than simply watch from a distance.

What makes "Pitfall" particularly effective is how it weaponizes uncertainty. Physical danger is certainly present from the opening moments, but the film understands that mystery can often be more frightening than gore. Questions begin piling up. Who built the trap? Was Scott specifically targeted? Is someone watching him? Is help coming, or is he completely alone? The movie carefully feeds viewers just enough information to keep them engaged without revealing its hand too early.

The cinematography deserves recognition as well. Forest settings can sometimes blur together in lower-budget horror films, becoming visually repetitive. "Pitfall" manages to make the surrounding wilderness feel both beautiful and threatening. Towering trees become prison walls. Open stretches of forest feel deceptively vast. Even when characters aren't trapped in the pit, they never seem entirely free from danger. The filmmakers understand that isolation isn't just physical—it's psychological.

The pacing occasionally slows during some of the survival sequences, particularly in the middle portion of the film. There are moments when viewers may wish for certain revelations to arrive a bit sooner. However, the slower pace largely serves the story's overall tension. Survival isn't fast. It's exhausting, repetitive, and mentally draining. The film captures that reality without sacrificing entertainment value.

Perhaps the most impressive achievement of "Pitfall" is how effectively it taps into a fear many viewers have probably never considered before. Most people worry about getting lost in the woods. Few ever consider the possibility that the ground beneath them could become the real threat. After watching this film, that possibility might occupy a permanent corner of your imagination.

"Pitfall" combines survival horror, mystery, psychological tension, and brutal practical effects into an engaging package that consistently keeps viewers invested. It doesn't rely on endless jump scares to generate fear. Instead, it focuses on vulnerability, isolation, and the terrifying realization that some traps are designed with horrifying intent. The result is a suspenseful woodland nightmare that sticks with you long after the credits roll.

"Pitfall" delivers a tense and effective survival horror experience anchored by a strong cast, memorable performances, a clever premise, and enough mystery to keep audiences guessing. If you're a fan of horror films that make you squirm from tension rather than simply startling you every few minutes, this one deserves a spot on your watchlist. "Pitfall" is now playing in theaters, and this is one survival horror nightmare that deserves to be experienced on the biggest screen possible.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 5/27/26 Christopher James 5/27/26

FOUND TV’S Jump Scare June Releases Coming Soon

June doesn’t ease you into the dreadful heat of summer ahead. It drags you straight into the terror of the night, shouting in fear through the dark and keep you wondering what will happen next. This is exactly what FOUND TV is doing with this it’s Jump Scare June lineup. All month long, they’re rolling out a fresh batch of releases designed to keep horror fans on edge. From unsettling new discoveries to projects that lean all the way into that “did I just see that?” kind of dread. If you’re here for quiet nights and comfort viewing, this isn’t it. FOUND TV wants you to know that these are the kinds of found footage finds that make you glance over your shoulder a little too often. You may even feel the urge to double-check what that sound in the hallway really was. Mark your calendars for these upcoming FOUND TV releases:

June 2 – "Destroy This Tape" (2025): In 2007, a group of five teenagers went camping in the woods of Alpine Oaks Provincial Park, never to return. All that was found was a ruined campsite and a camcorder holding footage of their final days.

June 5 – "Go to Sleep" (2026) – FOUND ORIGINAL WORLD RELEASE: A recently separated man newly living alone discovers that he is sleepwalking at night. As he records his activities, he uncovers questionable behaviors and the presence of another mysterious figure.

June 9 – "Yami Douga 22" (2019): The 22nd installment in the "Yami Douga" series.

June 12 – "Don't Log Off" (2025): During a virtual birthday party, Sam vanishes. Her friends investigate through calls and social media but start disappearing after checking her apartment. They must confront a menacing figure from her past to survive. This was actually a movie I reviewed way back before the site was created. You can see an updated review of it on my Letterboxd here.

June 16 – "BUM" (2026) – FOUND EXCLUSIVE WORLD RELEASE:
A freelance news crew and a hotshot reporter search for a violent vagrant and get more than they bargained for.

June 19 – DOUBLE FEATURE RELEASE

"2 Jennifer" (2016): Two filmmakers attempt to make the perfect sequel to "To Jennifer," but a dark secret threatens the lives of everyone involved. Jennifer, a beautiful actress, now has two choices: become the heroine of the film or face a brutal death.

"#FromJennifer" (2017): An actress develops a deadly obsession with internet fame after her manager drops her for not having enough of a social media presence.

June 23 – "Yami Douga 23" (2019): The 23rd installment in the "Yami Douga" series.

June 26 – "Parched 3: Beached" (2023): A Florida lifeguard receives help from two environmentalists determined to uncover a potential conspiracy surrounding swimmers who emerge from the beach in a violent, mutated state.

June is shaping up to be a massive month for found footage and supernatural horror. This month’s lineup continues FOUND TV’s commitment to delivering unsettling found footage films, paranormal storytelling, and unique genre filmmaking from around the world. With a mix of original productions, exclusive releases, cult favorites, and disturbing late-night discoveries, there’s something here for every horror fan. Whether you’re into haunted investigations, psychological breakdowns, cursed recordings, or digital-age nightmares, June’s releases offer plenty of reasons to keep the lights on. If you’re new to FOUND TV, use my code ILOVEHORROR for $5 off your yearly subscription.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 5/14/26 Christopher James 5/14/26

Get Ready For Terrifying Tuesdays From TERROR FILMS RELEASING

If you’ve ever gone down a late-night rabbit hole of cryptid documentaries and started side-eyeing every noise outside your window, June is about to make that habit a lot worse—in the best way. The team behind Small Town Monsters, including Seth Breedlove, Courteney Breedlove, Heather Moser, Aleksander Petakov, and Aaron Deese have joined forces with Terror Films Releasing to roll out a massive slate of folklore-driven documentaries across digital platforms, and they’re packaging it like an event that any horror fan shouldn’t ignore.

FROM TERROR FILMS RELEASING’S PRESS RELEASE:

Dubbed “Terrifying Tuesdays,” the partnership kicks off with five films releasing weekly throughout June, with many of these titles becoming widely available for the first time on platforms like Vudu, Amazon, and Tubi. It’s a simple concept, one new descent into the unknown each week, but the subject matter makes it anything but casual viewing.

The lineup begins on June 2nd with “Tracking the Wendigo,” a deep dive into one of the most chilling legends in North American folklore. Director Jason Hewlett explores both historical accounts and modern reports, blending documented cases with cultural context to create something that feels less like myth and more like a question that hasn’t been fully answered.

On June 9th, “Still Watching: The Bigfoot Legacy of Salt Fork” shifts gears but keeps the unease intact. Seth Breedlove heads to Ohio’s Salt Fork State Park, a location often dubbed one of the most active Sasquatch hotspots in the country, to unpack decades of sightings and first-hand accounts that continue to fuel the legend.

Things take a darker turn on June 16th with “Werewolves Unearthed,” following investigators as they track reports of “dogman” encounters across the Ohio Valley and western Pennsylvania. What starts as isolated sightings quickly builds into something more unsettling, as patterns begin to emerge in places that feel a little too close to home.

June 23rd brings “Skinwalker: The Howl of the Rougarou,” diving into Southern folklore surrounding a creature said to stalk the swamps and bayous. Rooted in stories that stretch back generations, the film explores the possibility that some legends don’t fade, they evolve.

Closing out the month on June 30th, “The Dogman Triangle: Werewolves in the Lone Star State” heads to Texas Hill Country, where a cluster of sightings has turned a stretch of land into a hotspot for something far from ordinary. Investigators Aaron Deese and Shannon LeGro attempt to make sense of encounters that blur the line between folklore and something far more tangible.

With all five titles rolling out across major digital platforms, “Terrifying Tuesdays” feels less like a simple release schedule and more like a curated experience for horror fans who appreciate the stories that live just outside the mainstream. Whether you’re a skeptic or someone who’s always believed there’s something out there, this is the kind of lineup that makes you think twice about what might be waiting in the dark.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 5/12/26 Christopher James 5/12/26

Enter At Your Own Risk With TERROR FILMS RELEASING’S “HOUSE AT THE EDGE OF THE WOODS”

There’s something reliably entertaining about anything stamped with Terror Films Releasing’s “Sealed Approval of Partnership”. Whether they’re diving into supernatural chaos, gritty psychological horror, or the ever unpredictable found footage lane, the company has built a reputation for putting out some amazing horror movies to add to your library. The films they producer are scrappy, watchable horror that understands their audience. They may not always reinvent the wheel, but they know how to keep it spinning just fast enough to keep horror fans engaged. As someone who devotes their life to all thing’s horror, that consistency counts for a lot in a genre that thrives on experimentation. I am a fan of Terror Films Releasing for a reason…..they put out quality horror.

That brings us to “House at the Edge of the Woods”, directed by Hartsock. “House at the Edge of the Woods” is a new found footage horror movie that leans hard into the eerie isolation and emotional weight that the sub-genre does best. The premise is immediately compelling: a grieving man returns to his childhood home, only to discover his father has vanished into the surrounding woods. When traditional search efforts fail, the story pivots into familiar but welcome territory, bringing in a paranormal investigation team to uncover what might be lurking just beyond the tree line. It’s a setup that feels tailor-made for tension, and at its core, it absolutely works.

Where “House at the Edge of the Woods”shines brightest are in its cinematography. This is easily its strongest and most immersive element. For a project shot in just over a week with a minimal crew, the visual execution is surprisingly effective. The camera work captures that uneasy stillness of wooded isolation, turning darkness into a character of its own. Night sequences especially feel suffocating in the best way. They way they film the shadows stretching just long enough to make you question what you’re seeing. It’s the kind of visual storytelling that found footage fans crave, where the fear often lives just outside the frame. It makes the realism that much more attention grabbing and feel as if you are watching the movie as if you are holding a handheld camcorder yourself.

That said, while the movie looks the part, it doesn’t always feel the part. Truly that comes down to the performances. As much as I love found footage horror, the acting here pulled me out of the experience more often than it should have. There are moments where the dialogue and delivery feel a bit too forced, breaking the illusion that this is raw, recovered footage. In a sub-genre that relies so heavily on authenticity, even small missteps can stand out. In this case unfortunately, those distractions add up over time. I am not expecting “Oscar winner performances” when I watch horror movie but normalizing the dialogue you’re speaking in a way seems natural is a big thing for me in found footage horror movies.

To be fair, it’s not all completely uneven. There are flashes and genuine, effective moments where the cast locks in and the tension clicks into place. When that happens, you can see exactly what the “House at the Edge of the Woods”is aiming for, and it works. Those glimpses make it clear that with a bit more consistency, the performances could have elevated the entire experience. It’s a reminder that while atmosphere can carry a horror film far, it can’t do all the heavy lifting alone.

The story itself remains engaging throughout. All thanks in part to its focused, one-location approach. There’s something inherently unsettling about a familiar place that seems safe and slowly starts becoming hostile. Without question, the movie taps into that idea well. The mystery surrounding the father’s disappearance keeps things moving, and the gradual unraveling of supernatural possibilities adds a layer of intrigue that never quite loses its grip. It’s a slow burn, but one that mostly justifies its pace.

Ultimately, “House at the Edge of the Woods” is a mixed bag, but I will say it is at least an interesting one. It’s a movie with a strong visual identity and a premise that hooks you early, even if it struggles to maintain immersion due to inconsistent acting. For found footage fans, there’s still plenty here to appreciate, especially if you’re drawn to atmospheric horror that prioritizes mood over outright scares.

“House at the Edge of the Woods”will be available to stream beginning May 15, 2026, across multiple platforms, including familiar outlets like Amazon Prime Video, Apple TV, and Tubi, making it an easy addition to your next late-night horror watchlist.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 5/4/26 Christopher James 5/4/26

“THE FUZZIES” (2026) From TERROR FILMS RELEASING Crafts a Killer Puppet Tale

If there are two things I love, it’s puppets and horror. So, when something like “The Fuzzies” lands in my email inbox, it already has my attention before the opening frame even flickers to life. Released by Terror Films Releasing and brought to life by filmmakers Josh Funk and Dustin Vaught, this offbeat horror-comedy leans hard into the uncanny valley of childhood nostalgia. Plus who doesn’t love puppets and gore filled bloodlust, right?

The setup is simple but effective: a group of friends reunites at the eerie estate of their recently deceased childhood companion, only to discover that the grotesque puppets from her once-beloved children’s TV show are very much alive. This is not in a friendly, sing-along kind of way. What follows is a descent into felt-covered chaos, where bright colors and soft textures mask something far more sinister. The cast, including Rocío de la Grana, Baylee Toney, Dustin Vaught, and Gordy Cassell. The movie does a solid job grounding the absurdity, even when it is fully embraces its weirdness.

Let’s address the big thing upfront: the story itself is a bit thin. It hits familiar beats, and there are moments where you can feel the narrative stretching to keep things moving. That said, this isn’t a movie you watch for a tightly wound plot. You watch it for the experience, and on that level, it absolutely delivers. The pacing keeps things lively, and just when it feels like it might stall, it throws another bizarre or bloody surprise your way.

Exclusive Clip Provided by TERROR FILMS RELEASING

Where “The Fuzzies” really shines is in its unique craftsmanship. The practical puppetry is fantastic, bringing a tangible, almost nostalgic charm that CGI just can’t replicate. There’s something inherently unsettling about real, physical puppets sharing space with human actors, and the movie leans into that discomfort in all the right ways. Add in touches of stop-motion horror, and you get sequences that feel like a warped children’s show melting in real time. It’s creative, it’s creepy, and it sticks with you when the credits roll.

The kills are another highlight. They’re inventive without feeling overly mean-spirited, striking that sweet spot horror-comedy fans look for. You can tell the filmmakers had fun coming up with these moments, and that energy translates on screen. It’s not just about shock value. It’s about creativity, and this movie has plenty of it. It makes for a good time and a good watch that will leave you possibly asking questions but not questioning why you took time to watch it.

There’s also an underlying theme about nostalgia and how the things we loved as kids can take on a darker tone when viewed through an adult lens. It doesn’t dive especially deep into that idea, but it’s present enough to give the movie a bit of extra texture beneath the chaos.

At the end of the day, “The Fuzzies” isn’t perfect, but it doesn’t need to be. It’s weird, it’s scrappy, and it knows exactly what it is. For fans of offbeat horror and practical effects, it’s an easy recommendation. It may not reinvent the genre, but it definitely leaves its fuzzy, blood-stained mark. You can catch “The Fuzzies” now streaming on platforms like Vudu, Amazon, Tubi, and Chilling. If killer puppets are your thing (and they absolutely should be) this one is ready to haunt your watchlist and split your sides. Don’t miss out on this fun cinematic experience.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 4/24/26 Christopher James 4/24/26

FOUND TV’S MURDEROUS MARCH Releases Coming Soon

Murderous May arrives with a fresh lineup of found footage horror designed to keep you glued to the screen and second-guessing every flicker on your TV. From shaky camera chaos and cursed recordings to paranormal encounters that feel a little too close for comfort, there are so many chances to get scared. This month’s selection leans fully into the raw, unsettling energy that makes the genre so effective. Each title brings its own brand of terror. Whether it’s isolation in the woods, something watching from just out of focus, or footage that probably should’ve stayed lost. All of it comes from the one place dedicated entirely to unearthing these kinds of stories. You may be wondering what sinister location or corners of the internet these can be found. It’s Found TV!! A streaming app where the found footage signal is always ready and the scares are always intentional… or at least that’s what they tell us between static bursts. Mark your calendars for these new releases:

May 1 - FOUND EXCLUSIVE WORLD RELEASE Distort 2: The Dead Among the Trees (2026): Not too long ago, a musician had a supernatural experience involving ghostly dogs and time-bending cassette tapes left for him in an Irish forest. Now, a documentary filmmaker brings the man back to the same forest to see just how real these experiences were, and to possibly save the woman who has been trapped there for 30 years.

May 5 Jeruzalem (2015): When a couple of American young adults fly to Israel to visit the city of Jerusalem, a biblical nightmare falls upon them. North America only.

May 8 The Red Box Project (2024): Four friends explore a cave rumored to have formed from an ancient comet impact. The unstable cave traps them inside. They use walkies to communicate while hunted by a mysterious, non-human predator lurking within the depths.

May 12 Yami Douga 20 (2018): 20th installment in the "Yami Douga" series.

May 15 House at the Edge of the Woods (2025): A grieving man moves into the home of his missing father. After experiencing anomalies on his property, he hires a documentary crew to uncover the truth of what's really happening at The House at the Edge of the Woods.

May 19 The Third Shift: A Paranormal Story (2026): Five paranormal investigators embarked on an unaccompanied ghost hunt within the confines of Gloucester prison. All five of them vanished without a trace that night. This is the footage they wanted you to see.

May 22 Parched 2: Hangry (2019): A social media influencer brings her friends to an Airbnb lake house to party. When an appetite stimulant is mistakenly dumped into the lake and the guests go for a dip, they emerge ravenous and insatiable.

May 26 Yami Douga 21 (2019): 21st installment in the "Yami Douga" series.

May 29 Vegan (2024): A vegan social media influencer goes on a quest to document the search for her biological parents. Her search leads her to a defunct, secluded farm where she encounters The Farmer, and her worst nightmares become reality.

This is becoming a strong month for found footage and supernatural horror. May’s lineup highlights FOUND TV’s continued commitment to found footage horror, paranormal storytelling, and experimental genre filmmaking. With a blend of international releases, original productions, and cult favorites, the platform offers something for fans of supernatural horror, sci-fi paranoia, and documentary-style terror. Depending if you’re drawn to haunted investigations, cursed footage, or technological nightmares, this month’s releases promise plenty of reasons to keep the lights on. If you are new to FOUND TV, use my code ILOVEHORROR for $5 off your yearly subscription.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 4/21/26 Christopher James 4/21/26

Turn Faith Into Fear With “SOULS CHAPEL” (2026)

There’s a certain thrill in stumbling across a movie that feels like it was made specifically to haunt your brain at 2AM. So, when I got the chance to check out “Souls Chapel” early, it felt exactly like that kind of discovery. This isn’t the kind of story that politely introduces itself, it pulls you in by the collar, drags you through the snow, and dares you to sit still while it unravels something deeply unsettling. From the jump, it’s clear this isn’t just another indie horror flick trying to punch above its weight. It’s a moody, slow-burn collision of genres that knows exactly what it wants to be, and more importantly, knows how to get there.

Directed by and starring Jake C. Young, the movie wastes no time establishing its tone. Set in a bleak, undefined stretch of time, the story follows Ray, a drifter chasing rumors of gold through the unforgiving hills of Kentucky. Young plays him with a quiet intensity that immediately calls to mind Clint Eastwood’s iconic western archetype, yet he never feels like he’s borrowing too heavily. Instead, he molds that influence into something uniquely his own. He’s the kind of lead you can’t take your eyes off. It is gritty, grounded, and believable as both a hardened survivor and a man slowly realizing he’s in over his head. Simply put, Young makes a great western hero and a commanding leading man.

The plot kicks into motion when Ray encounters a mysterious entity offering gold in exchange for retrieving two powerful relics. Which you can tell, is an agreement that feels doomed from the start. When a brutal storm forces him to seek shelter inside the ominous Souls Chapel, the movie shifts gears into something far darker. What unfolds is a nightmarish unraveling of faith, deception, and supernatural horror. The clergy within the chapel are anything but holy, and the land itself feels cursed, as if something ancient has been waiting patiently beneath the surface.

What makes “Souls Chapel” stand out is how seamlessly it blends the rugged elements of a western with a heavy, ever-present sense of the supernatural. The isolation of the frontier becomes the perfect backdrop for occult horror, and the movie leans into that synergy with confidence. This isn’t a western with horror elements tacked on, or a horror movie wearing a cowboy hat. It’s a fully realized hybrid where both genres feed off each other in a way that feels natural and, at times, deeply unsettling.

Genre fans will appreciate the presence of Brian Bremer, who brings a familiar gravitas to the movie. Known for cult favorites like “Pumpkinhead” & “Society”, Bremer fits right into this eerie world, adding weight to the already tense atmosphere. The supporting cast, including Adriana Curtsinger and Jermey Boggs, helps round out the strange and unpredictable dynamic within the chapel. There’s a constant sense that no one can be trusted, and that uncertainty keeps the tension simmering.

Visually, the movie is a knockout. The cinematography from Austin Rutherford and Zach Jones helps to elevate the entire experience. They do so simply by capturing sweeping, snow-covered landscapes that feel both beautiful and isolating. Every exterior shot reinforces the harshness of the world, while the interiors of the chapel are drenched in shadow and unease. The way light and darkness are used throughout the movie creates a lingering sense of dread, as if something is always just out of view.

The locations themselves play a huge role in the movie’s effectiveness. There’s an authenticity to the setting that makes everything feel lived-in and real. The chapel isn’t just a backdrop, it’s a presence. Its worn walls and suffocating atmosphere make it feel like a place where something terrible has happened… and is more than willing to happen again. This attention to detail makes the movie that much more enjoyable, pulling you deeper into its world with every scene.

What really lingers after the credits roll is the movie’s atmosphere. “Souls Chapel” doesn’t rely on cheap scares or over-the-top spectacle. Instead, it builds tension slowly, letting the horror seep in through its environment, its characters, and its themes. It’s a story that understands the power of restraint, allowing the unknown to do most of the heavy lifting. At its core, “Souls Chapel” explores the fragile line between belief and reality. It suggests that legends aren’t just stories. What they are is warnings, echoes of something that refuses to stay buried. That idea gives the movie an extra layer of depth, making it more than just a genre exercise.

“Souls Chapel” may not be for everyone, especially those looking for a fast-paced thrill ride, but for viewers who appreciate atmosphere, strong performances, and a bold blending of genres, it delivers in a big way. It’s a confident, haunting piece of storytelling that proves indie horror still has plenty of new ground to explore. You can watch it for yourself right now on platforms like Apple TV, Amazon Prime Video, and Fandango at Home.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 4/18/26 Christopher James 4/18/26

FOUND TV’s “PRIMAL DARKNESS” is a Savage Step Forward for Found Footage

Found TV has quietly become a much-needed haven for found footage fans who crave more than the usual recycled night-vision chaos and shaky-cam clichés. With a sharp eye for indie filmmakers who understand that atmosphere and storytelling matter. They do it in a way that showcases what’s lurking in the dark, the platform consistently uncovers projects that punch well above their budget. It’s a space where creativity thrives, where risks are rewarded, and where the found footage sub-genre is treated less like a gimmick and more like an art form. In a landscape oversaturated with forgettable entries, Found TV has made a name for itself by spotlighting found footage horror movies that don’t just meet expectations, they stalk past them, drag them into the woods, and leave them unrecognizable.

“Primal Darkness” wastes absolutely no time reminding you that nature doesn’t care about your camera angles, your narrative arc, or your survival. It simply exists, and sometimes it hunts in a way that makes it stand out much more than the average found footage horror movie. Found TV’s latest original, written and directed by Dillon Brown, drops viewers into the desolate stretches of rural Nevada and dares them to sit still while something ancient breathes just out of frame.

The setup feels familiar to most fans of the found footage horror fans at first, almost comfortingly so. Cole Harrington, a seasoned outdoor host with a confident voice and a camera-ready smile, ventures into cattle country to investigate a string of brutal livestock attacks. It’s the kind of premise that usually leads to wolves, maybe a rogue bear, or if you’re lucky, something cryptozoological with glowing eyes and a shaky backstory. “Primal Darkness” knows you’re expecting that, and then it pivots in such a hard way it will knock you off your feet the instant it does.

What begins as a controlled, almost procedural expedition quickly mutates into something far more unnerving. The discovery of recovered footage showing the final moments of two missing university employees shifts the movie into a darker, more fragmented rhythm. These inserted glimpses are not just exposition; they’re warnings of a fate that is yet to come. Each second of that footage feels like a trespass into something we were never meant to see, and “Primal Darkness” leans into that discomfort with unsettling precision.

One of “Primal Darkness” smartest and most refreshing choices is its creature concept. Without over-explaining or drowning the audience in pseudo-scientific jargon, the movie introduces the possibility of a prehistoric, almost caveman-like predator lurking in the shadows. It’s a bold swing, and it lands. The idea of something not just animalistic but proto-human taps into a deeper, more instinctual fear that comes from something deep within. This isn’t just a beast. It’s a reflection, a distorted echo of what we might have once been.

That concept alone could have carried a lesser movie, but Dillon Brown goes further by grounding the horror in character. Cole Harrington is not your typical disposable found footage lead. He’s layered, increasingly fragile, and compelling to watch as his confidence erodes. Early on, he’s all charm and control, narrating his journey with the ease of someone who’s spent years in front of an audience. As the movie progresses, that polish begins to crack. His voice falters. His decisions become erratic. The camera, once a tool, starts to feel like a crutch that is slowly making him sink into danger.

What makes Cole’s descent so effective is how gradual it is. There’s no single breaking point, no over-the-top meltdown. Instead, it’s a series of small and fractured moments where his instincts betray him. A place where the wilderness feels less like a backdrop and more like a trap. By the time the movie reaches its final act, you’re not just watching a man in danger. You’re watching someone unravel in real time, and it’s impossible to look away.

The supporting elements, particularly the recovered footage of the missing university employees, add a chilling layer of narrative depth. These sequences feel distinct in tone. It is grainier, more chaotic, and deeply claustrophobic. They contrast beautifully with Cole’s initially controlled documentation style, creating a visual and emotional dissonance that amplifies the tension. It’s in these moments that the film feels most dangerous, as if it’s brushing up against something it can’t fully contain.

Visually, “Primal Darkness” thrives on restraint. It understands that what you don’t see is often far more terrifying than what you do. The isolated landscape is used to its fullest potential. Its wide, empty spaces that somehow feel suffocating. The camera lingers just long enough to make you question what might be hiding in the distance, then cuts away before you can be sure. When “Primal Darkness” does choose to reveal glimpses of its creature, it does so sparingly and effectively. No overexposure, no cheap jump-scare reliance. It is just enough to let your imagination do the heavy lifting.

Sound design plays a crucial role here, elevating the tension in ways that visuals alone couldn’t achieve. Every rustle, every distant echo, every unnatural silence feels intentional. There’s a constant sense that something is nearby, just outside the frame, listening as closely as you are. It’s the kind of auditory unease that lingers long after the scene has ended.

What truly sets “Primal Darkness” apart, though, is its commitment to tone. This isn’t a movie interested in winking at the audience or providing moments of relief. There’s no comedic safety net, no ironic detachment. It takes its premise seriously, and in doing so, it earns your investment. The horror here isn’t flashy. It’s creeping, patient, and deeply rooted in the fear of the unknown.

The decision to frame the story within the found footage format feels purposeful rather than obligatory. Too often, the genre leans on shaky cameras and convenient “lost tapes” as a gimmick. Here, it’s integral to the storytelling. Not just the main story but also the side story with the side characters. The camera becomes a witness, a confidant, and ultimately, a liability. There are moments when you’ll find yourself wanting Cole to drop it, to run, to stop documenting and start surviving. That tension that is between the need to capture and the instinct to escape is where the “Primal Darkness” finds some of its most compelling fear.

It’s also worth noting how effectively the movie builds its mythology without overindulging in exposition. The idea of a primal, possibly prehistoric humanoid creature is introduced with just enough detail to intrigue without demystifying it. There are hints, implications, and fragments of information, but no definitive answers. This ambiguity works in the film’s favor, allowing the horror to remain expansive and unknowable.

As the narrative hurtles toward its conclusion, “Primal Darkness” doesn’t resort to easy answers or neatly tied resolutions. Instead, it embraces the chaos it has been building, delivering an ending that feels both inevitable and deeply unsettling. It’s the kind of finale that sticks with you. Simply not because of what it shows, but because of what it suggests. Although there are some creepy and terrifying things that you see.

The movie’s upcoming world theatrical premiere at Unnamed Footage Festival 2026 feels like a perfect fit. This is a movie that understands its audience, fans who appreciate the slow burn, the ambiguity, and the willingness to take risks within a familiar framework. It doesn’t reinvent found footage, but it refines it, sharpening its edges and reminding us why the format can still be so effective when handled with care.

“Primal Darkness” is not just another entry in the ever-growing catalog of found footage horror. It is now that it’s available to stream on the Found TV app, it’s one that’s dangerously easy to stumble into late at night when you probably shouldn’t. It’s a confident, atmospheric, and genuinely unsettling experience that lingers long after the screen goes dark. With its unique creature concept, strong character work, and unwavering commitment to tone, it proves that even in a genre crowded with imitators, there’s still room for something that feels raw, primal, and terrifyingly real. It is a must watch for me (like anything available on Found TV). You are going to want to dim the lights, sit back and prepare yourself for a good scare.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 4/16/26 Christopher James 4/16/26

(NEWS) Grief & Horror Await With TERROR FILM RELEASING’S “HOUSE AT THE EDGE OF THE WOODS”

Terror Films Releasing has built a reputation as a passionate curator within the horror community, consistently seeking out the most compelling voices in both independent and mainstream filmmaking. With a sharp eye for originality, atmosphere, and pure terror, the company specializes in uncovering hidden gems that might otherwise go unnoticed, giving emerging filmmakers a platform while also celebrating seasoned creators. Their growing catalog reflects a deep appreciation for the genre in all its forms, from gritty found footage nightmares to polished studio shockers. Simply making them a trusted destination for horror fans looking to discover their next obsession. I recently got some more great horror news sent to me from the people at Terror Films Releasing that a new horror movies is on the horizons to be released. Here is the news:

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Terror Films Releasing has set a release date for Brandon Hartsock’s found footage horror film, “HOUSE AT THE EDGE OF THE WOODS.” Directed by Brandon Hartsock, who also produced with Dulvlu Spa, the film features Dulvlu Spa, Josiah Miller, Madeline Lootens, and Giovanni Accettola, and centers around a grieving man who moves back in with his father, only to find that he has gone missing in the nearby woods. After a police search fails to find his father, unsettling nocturnal disturbances and strange noises echoing from beyond the trees lead him to believe that supernatural forces may be responsible for his father’s disappearance, leading him to hire a crew of paranormal investigators to help find him. The film is comprised of recovered footage captured by the investigative team. Brandon Hartsock shared his thoughts on the making of the film:

“This film is rooted in a deeply personal history, inspired by childhood memories of growing up quite literally in a house at the edge of the woods, which fostered a lifelong curiosity about what might be lurking in the darkness beyond. The project was brought to life over just eight days, with a tight-knit cast and crew of only eight individuals. Despite the limited resources, I believe this film distinguishes itself within the found footage genre through its innovative approach—a tense, one-location mystery culminating in what I hope will be a truly terrifying conclusion for horror fans.” The film will be available beginning May 15th, 2026, across a wide variety of platforms. Be sure to stay tuned for my full review, coming soon here.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 4/1/26 Christopher James 4/1/26

(NEWS) Horror-Comedy“THE FUZZIES” Set for Release from TERROR FILMS RELEASING

Spring has a funny way of dressing up dread in pastels. The flowers bloom, the air softens, and somewhere beneath all that fresh-cut optimism lurks the quiet promise that something is about to go very wrong. It is the season of false security, where longer days invite us outside just as horror begins sharpening its knives for the summer ahead. Consider it the calm before the carnage, a playful prelude where the sunlight lingers a little too long and the shadows start practicing for the slashers waiting just around the corner. I just got news from the lovely and spooky folks over at Terror Films Releasing for a new horror movie that is on its list of upcoming scares. They have creeped into my email inbox to inform me of all the info for me to share with you fellow horror fans. Here is the info:

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Terror Films Releasing has teamed with filmmakers Josh Funk and Dustin Vaught to bring audiences the wildly original horror-comedy “The Fuzzies.”

Starring Rocío de la Grana, Baylee Toney, Dustin Vaught, and Gordy Cassell, “The Fuzzies” follows a group of friends who reunite at their childhood friend’s eerie estate after her death, only to uncover a nightmare lurking beneath the surface. The grotesque puppets from her once-beloved children’s television show are somehow alive. Blending practical puppetry, stop-motion horror, and dark humor, “The Fuzzies” explores themes of friendship, fame, and the monsters we carry from childhood. Written and produced by Josh Funk and Dustin Vaught, with Josh Funk also directing, the film leans heavily into its uncanny inspirations. Funk shared insight into the creative vision behind “The Fuzzies”:

“The Fuzzies is a horror-comedy born from a fascination with the uncanny, specifically the strange power of puppets and stop-motion animation to feel both comforting and deeply unsettling. Drawing inspiration from children’s television of the 1970s and ’80s, the film explores how bright sets, felt textures, and cheerful characters become disorienting when stripped of their warmth. ‘The Fuzzies’ embraces the tactile imperfections of handmade filmmaking to tell a story about nostalgia curdling into terror, and the monsters we carry with us from childhood.”

“The Fuzzies” will be available beginning May 1st, 2026, across a variety of platforms including Vudu, Amazon, Tubi, Chilling, and more. Stay tuned here and my social media pages for my full review, coming soon.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!