Christopher James 9/2/26 Christopher James 9/2/26

(REVIEW) “STREAM OF TERROR” Turns Going Viral Into a Bloody Nightmare

Every generation gives horror a new toy to weaponize, and ours just happens to come with a front-facing camera and a comment section. From prank calls and camcorders to smartphones, social media, and live streaming, the genre has always been remarkably good at finding the sinister side of whatever technology we can't seem to live without. Livestreaming feels like an especially natural progression when practically anything can become content, privacy is increasingly optional, and some people will do almost anything for views.

That idea sits at the center of “Stream of Terror,” a meta mixture of horror and comedy that takes our obsession with watching other people's lives online and gives it a considerably bloodier purpose. Alia Williams stars as Tiffany Clarke, whose seemingly picture-perfect life begins to fracture when a masked killer starts targeting those around her and broadcasting the murders online. Director Robin Hofmann could have easily allowed the livestream concept to become a gimmick, but instead, she uses it as the foundation for a clever mystery with far more hiding beneath the surface.

One of the first things I noticed is how well the movie moves. The storyline never feels like it's simply killing time between kills, and even when things slow down to develop the characters or mystery, there's always a sense that something else is waiting around the corner. That pacing becomes even more important as Tiffany's final girl storyline starts taking some genuinely unexpected turns.

The cast deserves plenty of credit because there really isn't a bad performance in the bunch. Williams carries the movie well as Tiffany, while Triston Dye as Eric Alexander, Bobby Curelli as Greg Andino, Savannah Grace Elmer as Cameron, Edi Tingle as Lacey, and Nick Marshall Jr. as Jake help give the group around her plenty of personality. Erik Bello as Detective Brick and Bethany DeZelle as Officer Smith also fit comfortably into the ensemble, and everyone seems to understand exactly what kind of movie they're making.

A big reason the horror and comedy work so well together is Scott Tomorelli's writing. The screenplay knows when to have fun with the ridiculous side of what is happening without making the horror itself feel like a joke. There are some genuinely funny moments, but they never completely kill the tension or make Shatterface feel less dangerous. Meta horror can sometimes become so busy winking at the audience that it forgets it's also supposed to scare them, and “Stream of Terror” does a good job of avoiding that.

The cinematography (provided by Erik Van Lenten) is another thing that really worked for me, especially in the way the movie moves between its more traditional presentation and the footage we're seeing through cameras and screens. Hidden cameras, livestream footage, and POV perspectives aren't simply thrown in because the story involves the internet. They actually change how we experience certain scenes, occasionally putting us in the uncomfortable position of seeing exactly what the killer wants everyone else to see.

There's something inherently creepy about watching Shatterface turn murder into a livestream event. An unseen audience is sitting safely behind their screens while someone's death becomes content, and that gives the movie something surprisingly relevant to say about privacy and our obsession with attention. When virtually anything can be recorded, uploaded, and consumed within seconds, even tragedy can become entertainment. What I appreciated is that the movie never turns that idea into a lecture about the evils of social media. It gets the point across, lets it sit there, and then gets back to the horror. We already know people spend too much time online, so “Stream of Terror” doesn't need to spend twenty minutes explaining it to us.

Speaking of Shatterface, I love how naturally the killer gets that name. There isn't some painfully obvious attempt to announce the arrival of horror's newest icon or manufacture a catchy nickname. Shatterface simply becomes Shatterface, and somehow that casualness makes the name even better. The killer's look is another part of the movie that really worked for me. The costume has a distinctive, spooky quality without feeling overly designed, while the mask is simple, memorable, and creepy as hell. Sometimes that's all you need, and paired with the livestream footage and POV shots, Shatterface ends up having a presence that sticks with you.

Then there's a particular sequence involving a mask and a skateboard that I'm going to be intentionally vague about because it's much better experienced without knowing what's coming. This was the moment when I went from enjoying “Stream of Terror” to completely buying into what it was doing. It's weird, memorable, and exactly the kind of horror moment that makes you sit there thinking, “Well, I definitely haven't seen that before.”

The mystery surrounding Tiffany is another part of the movie that really surprised me. The reason she's being stalked isn't telegraphed from the beginning, and the screenplay thankfully doesn't scatter gigantic breadcrumbs everywhere just so audiences can solve everything twenty minutes early. Instead, it gives us enough information to keep guessing without handing us the answer. There are certainly familiar ingredients underneath the mystery, including a few ideas horror has played with plenty of times before, but what impressed me was how the movie takes that foundation and keeps building on it instead of allowing familiarity to dictate where the story has to go. Something that could have become predictable develops into a much nastier horror story with its own identity.

At some point, I made the mistake every horror fan eventually makes: I decided I had figured everything out. I was pretty confident I knew where the movie was heading, and I had already started putting the pieces together in my head. Turns out, I wasn't nearly as clever as I thought I was.

When the killer reveal finally arrived, it sent the story somewhere I genuinely wasn't anticipating. More importantly, it didn't feel like the screenplay was cheating just to manufacture a shocking twist. Once the pieces started falling into place, I found myself reconsidering things I thought I understood earlier in the movie, which is exactly what I want from a reveal like this. Apparently, one major surprise wasn't enough because another reveal arrives toward the end that caught me just as off guard, and by that point, my head was practically spinning in the best possible way. There are a lot of twists packed into this story, but they work because the movie keeps finding new ways to redirect your expectations without completely losing its own control.

That's what made “Stream of Terror” such a fun watch for me. The performances are strong, Tomorelli's writing finds a good balance between humor and horror, Hofmann knows how to make the different camera perspectives work, and Shatterface feels like a killer with an actual identity. Tiffany also gets a final-girl storyline that isn't content to travel in a straight line, which makes the mystery surrounding her much more interesting. The movie also understands that there's something a little ridiculous about our endless need to broadcast ourselves. Underneath the killer, the bloodshed, and the dark humor is a nasty little observation about how quickly someone's worst moment can become everyone else's entertainment. Still, it never forgets that it's a horror movie first.

Anyone who enjoys modern slashers, meta horror, and a mystery that isn't afraid to mess with its audience should have a lot of fun trying to stay one step ahead of Shatterface. “Stream of Terror” uses plenty of recognizable horror ingredients, but it rearranges them into something that feels fresh enough to have its own personality.

In a world where everyone is desperately trying to go viral, perhaps the most frightening thing isn't who's watching us, but what we're willing to let them watch. “Stream of Terror” is clever, entertaining, funny when it wants to be, and packed with enough surprises to keep horror fans guessing, all while making a pretty convincing argument that every once in a while, we should just put the damn phone down. “Stream of Terror” has partnered with one of my favorite horror movie distributors, TERROR FILMS RELEASING, with the plan to release this movie in OCTOBER. Stay tuned for the official release date.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/27/26 Christopher James 8/27/26

(NEWS) FOUND TV’s SPOOKY SEPTEMBER Unleashes New Found Footage Horror

For some of us, spooky season never really ends. Horror is a 365-day-a-year lifestyle, which means the ghosts, slashers, demons, and assorted nightmare fuel don’t exactly get packed away with the Halloween decorations. For the more casual horror fan, though, September is where the shift begins. The nights start feeling a little different, Halloween starts creeping back into stores, and suddenly it feels perfectly reasonable to spend an evening watching something that probably should not have been captured on camera in the first place. September is the month when we slowly tiptoe through the veil, leaving summer behind and making our way toward the glorious darkness of October.

This year, FOUND TV is making that transition especially easy. The home of found footage horror has officially awakened the demons for Spooky September, unleashing a new batch of unsettling releases throughout the month, including several FOUND TV Originals. From mysterious videotapes and paranormal investigations to missing broadcasts, livestream nightmares, and underground footage that probably should have stayed buried, there is plenty here to warm up horror fans before Halloween fully takes over. So clear some room on your watchlist, keep the lights on if you must, and mark your calendars for what FOUND TV has coming this September.

September 1: "VCR Willie: Tape 3"(2026) - The nightmare continues as the mysterious camera captures another disturbing chapter in the VCR Willie tapes.

September 4: "Lunopolis"(2010) - FOUND Exclusive - Two documentary filmmakers accidentally uncover the greatest moon secret the world has never known, and the powerful organization determined to keep it that way.

September 8: "Night Terror"(2026) - A woman struggling with lifelong sleep paralysis begins to fear that something more sinister is behind her nightly episodes when paranormal investigators suggest a supernatural connection. You can read my full review of “Night Terror” here.

September 11: "Episode 12"(2026) - After paranormal TV series "Paranormal Closure" was abruptly pulled from broadcast, footage surfaces online claiming to be from a mysterious episode that never aired.

September 15:"Midnight Feature: Season 2, Episodes 1 & 2" (2026) - FOUND Exclusive - The Horror Dadz are back with season two of the acclaimed found footage anthology TV series.

September 18:"Vlog#13"(2025) - A pair of popular vloggers explore the Albanian wilderness and investigate the ancient legends connected to the places they visit, only to discover some stories may be more than folklore.

September 22:"Midnight Feature: Season 2, Episodes 3, 4 & 5"(2026) - FOUND Exclusive - The Horror Dadz return with three more episodes from season two of the acclaimed found footage anthology TV series.

September 25:"Livestream"(2025) - A livestream spirals out of control when toxic fandom, curated online personas, and real-life danger collide in a chilling story of parasocial obsession. Available in the U.S. and Canada only.

September 29:"U.V.F: Underground Video Films"(2026) - Presented as a forbidden television broadcast, this horror anthology brings together a collection of unsettling underground short films from around the world.

September is shaping up to be a thrilling month for fans of found footage horror. FOUND TV offers a range of spooky films, paranormal tales, and distinctive genre selections from around the globe. Featuring fresh releases, exclusive content, cult favorites, and late-night picks. Horror enthusiasts will find plenty to enjoy. If you're a new subscriber, you can use the code ILOVEHORROR to save $5 on an annual subscription.

September promises a banquet of bone-chilling and spooky delights for found footage aficionados. FOUND TV rolls out a devilishly diverse slate of shocks and shivers from every haunted corner of the globe. You've got the freshest nightmares, cult oddities, exclusive premieres, and enough midnight mayhem to keep even the bravest horror fan looking over their shoulder. Still lurking on the fence? Now’s your cue to embrace the darkness. Snag your subscription with code ILOVEHORROR and carve $5 off your year subscription. Dim the lights, lock the doors, and prepare your heart to beat fast with fear, because this September FOUND TV is the stuff that screams are made of.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/26/26 Christopher James 8/26/26

(REVIEW) “NIGHT TERROR” Gives Found Footage Fans Something to Lose Sleep Over

There are certain distributors I trust wholeheartedly when it comes to independent horror, and TERROR FILMS RELEASING remains firmly at the top of my list. They’ve got an uncanny knack for spotting found footage that either plunges you straight into the nightmare or leaves you scratching your head, wondering why anyone thought charging the camera battery was a good idea. Luckily, TFR partners with filmmakers who truly understand this tricky format, and “Night Terror” is just another reason I keep coming back to see what they’ll unleash next. Written and directed by Joshua Brucker alongside director Hunter Nino, “Night Terror” stars Marleigh Arnold, Hunter Nino, Berkeley Slightom, and Madlyn Wierda. The story follows Shelly, a young woman struggling with chronic sleep paralysis and recurring night terrors whose desperate search for help eventually attracts the attention of two college students looking to document her condition. What begins as an academic project quickly becomes something far more disturbing, because apparently filming someone whose nights are already filled with terror is never going to end with everyone calmly turning in their final paper.

The basic setup immediately reminded me of “The Taking of Deborah Logan,” particularly in how a group enters someone's life intending to document a medical or psychological condition before slowly realizing something much darker may be happening. I wouldn't call “Night Terror” a copy by any means, but it definitely feels like an homage in the way curiosity turns into concern and then outright terror. If you are a fan of “The Taking of Deborah Logan,” there is enough familiar DNA here to grab your attention while still allowing “Night Terror” to carve out its own identity.

One of the first things that surprised me was how good this movie looks. Found footage normally gets a free pass on cinematography because shaky cameras, imperfect framing, and rough visuals are basically written into the contract, but “Night Terror” has a cinematic presence most movies in the subgenre simply don't. It looks polished without becoming so polished that you stop believing these characters are documenting something themselves, which is a much harder balance to pull off than it sounds.

The cinematography also plays an important role in building the atmosphere instead of simply recording it. The lighting, framing, use of space, and overall visual presentation make Shelly's surroundings feel increasingly uncomfortable as the movie progresses, and there are several moments where the camera is doing just as much work as the performances. Found footage is at its best when you start scanning every corner of the frame because you aren't sure what might be hiding there, and “Night Terror” understands exactly how to use that paranoia.

As strong as the movie looks, Marleigh Arnold is easily the standout for me. Her performance as Shelly gives the story the emotional weight it needs, because she never plays the character as someone who exists solely to scream whenever something creepy happens. Arnold moves convincingly from shy to exhausted, frightened, and eventually consumed by genuine terror, and her performance makes it feel as though you are standing in the room alongside the filmmakers, watching everything happen to her.

What I appreciated most about Shelly is how easy it becomes to empathize with her before the movie even starts showing its bigger horror cards. At the heart of everything, she simply wants something most of us barely think about until we don't have it anymore: a good night's sleep. Arnold sells that desperation incredibly well, and you can feel how physically and emotionally draining it has become for Shelly to dread something as ordinary as going to bed every night.

That emotional connection makes the horror much more effective because I wasn't simply waiting for the next scare. I wanted Shelly to get some relief, and as her condition becomes increasingly difficult to understand, the movie makes her exhaustion feel almost as frightening as whatever may be causing it. Sleep is one of those things we take completely for granted, and “Night Terror” does a terrific job reminding you how quickly that comfort could become something you fear.

The rest of the cast deserves plenty of credit as well, because Hunter Nino, Berkeley Slightom, and Madlyn Wierda all fit naturally into the world around Shelly. The group has an easy chemistry that helps sell the documentary-style approach, and nobody feels like they are performing for the camera just because this happens to be a found footage movie. Their performances complement one another nicely and keep the story grounded even as what they are documenting becomes considerably less grounded.

Brucker's love for found footage is also clearly embedded throughout the film, and he has described himself as a longtime fan of the genre. That fascination began when he first discovered “The Blair Witch Project,” a movie that helped shape his appreciation for just how effective found footage could be. He mentioned this in a recent press release from Terror Films Releasing:

“I’ve always considered myself a connoisseur of found-footage horror films, a passion that began in childhood when I first rented The Blair Witch Project with my family.”

While Brucker didn't grow up wandering through the woods like the characters in “The Blair Witch Project,”he was raised on an isolated farm. That experience helped shape the feeling of detachment and isolation that would eventually find its way into “Night Terror,” and you can feel some of that loneliness throughout the film. It gives the story a sense that Shelly is trapped not only by what is happening to her, but also by how difficult it is for anyone around her to fully understand what she is experiencing.

Another major influence came years later when “Paranormal Activity” was released while Brucker was attending college, helping convince him that filmmaking was something he wanted to pursue professionally. Those influences make sense when watching “Night Terror,” but the film doesn't spend its runtime simply trying to recreate either one. Brucker clearly understands the language of found footage while still allowing his own story and filmmaking style to come through.

There is an appreciation for what came before without the movie constantly elbowing you in the ribs and asking whether you caught the reference. That balance helps “Night Terror” feel familiar enough for longtime found-footage fans while still having its own personality.

What really earns “Night Terror” extra points with me is its final act. I won't spoil what happens, but the movie does an excellent job of letting you become comfortable with where you think the story is heading before completely pulling the rug out from underneath you. The twist works because it doesn't feel thrown in just for shock value, and it leaves you reconsidering some of what came before once everything finally falls into place.

Brucker himself teased that audiences should expect that kind of surprise, making it clear the third act was meant to send the story somewhere viewers might not anticipate. He also mentioned this in a recent press release from Terror Films Releasing:

“Without giving too much away, I believe the film takes a compelling turn in the third act, one that will leave audiences genuinely shocked.”

He wasn't exaggerating, either, because the payoff is one of the strongest parts of the movie. Horror audiences have become very good at spotting the finish line before the characters do, especially in found footage where we already know things probably aren't going to end with everyone exchanging phone numbers and heading home. “Night Terror” manages to keep something hidden up its sleeve, and that final turn gives the movie a satisfying last punch without betraying everything that came before it.

For found footage fans, “Night Terror” is absolutely one I would recommend. It has a strong central storyline, impressive cinematography, a fantastic lead performance from Arnold, and enough confidence in its third act to take the story somewhere I wasn't completely expecting. Even if you think you have already watched every possible version of people pointing cameras at things they should probably be running away from, this one has enough personality to justify pressing play.

It is also another reason I continue to have so much love for TERROR FILMS RELEASING and the filmmakers they choose to support. Over the years, TFR has consistently found independent horror projects with their own voice, particularly within found footage, and they seem genuinely interested in partnering with filmmakers who care about the genre rather than simply adding another title to a streaming catalog. That relationship with independent horror is one reason I am always interested when I see their name attached to something new.

“Night Terror” from TERROR FILMS RELEASING is out now and currently available on platforms including Tubi, Chilling, The Roku Channel, Fandango at Home, and more. I definitely recommend checking it out, although you may want to reconsider making it your final movie before bed. Once the credits roll, you might find yourself appreciating just how lucky you are when your head hits the pillow and nothing keeps you awake.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/21/26 Christopher James 8/21/26

(REVIEW) TERROR FILMS RELEASING’S "THE PSYCHIC: FILES" Makes Going Viral Deadly

Social media and found footage are quickly becoming one of horror’s most popular partnerships. Livestreams, influencers, viral challenges, and the constant need to capture everything on camera fit naturally into a genre built around the idea that someone kept recording when they absolutely should have stopped. I understand why filmmakers keep returning to it, but I’ll admit I’m not the biggest fan of the trend (though I am slowly coming around). The influencer angle has become so common that it can sometimes feel like the easiest excuse for why characters willingly walk into terrible situations with a camera in hand to show their POV. Thankfully, "The Psychic: Files" finds enough supernatural horror, bloody discoveries, and genuine weirdness to make me enjoy the ride far more than I expected.

Written and directed by Wes Clark, "The Psychic: Files" follows two ambitious streamers who break into the home of a psychic hoping to capture something shocking enough to send their views through the roof. Unfortunately for them, they succeed. I am always a fan of the idiots in horror movies. Without them, we wouldn’t have the horror movies we enjoy, so I proudly applaud their stupidity being the catalyst for scary situations. What begins as another reckless attempt at viral fame quickly becomes something far more dangerous when they discover that the spirits inside the house may be controlled by an even more sinister presence.

The film stars Shelby Latterman, Jason Dezik, and Amanda Schoonover. It uses its livestream perspective to explore something especially fitting for modern horror: the strange comfort we find in being watched. Thousands of people might be following along from behind their screens, but when something genuinely terrible happens, that audience suddenly becomes little more than a collection of usernames and comments. It is an interesting idea, and the found-footage format gives the movie an appropriately voyeuristic feeling. This movie has moments where it works very well, but “Deadstream” does it better.

'The Psychic: Files' benefits from not being confined to its social media gimmick. Once supernatural elements come into play, the film becomes much more engaging, allowing the story to go beyond merely chasing views and into truly strange territory. I appreciate that it maintains a fast pace and quickly delivers the terrifying moments. While I enjoy slow burns, they can lose my interest if they drag on too long. However, if the payoff is substantial, I find it worthwhile, and this movie successfully stays focused throughout. The storyline can feel scattered, with several ideas competing for attention instead of flowing naturally into one another. I also wanted more backstory on the central characters and their relationship. Developing that connection further would have made some of the later revelations and emotional moments carry more weight. There is enough to understand the dynamic, but a little more time establishing why these characters matter to one another could have strengthened the story.

Even with those issues, the mystery kept me curious about what was actually happening inside the house. The film delivers several enjoyable surprises along the way, including a nice twist that adds another dimension to what initially seems like a straightforward paranormal setup. It never completely fixes the uneven narrative, but it does make the bigger picture considerably more interesting.

The gore is another welcome surprise. "The Psychic: Files" is not afraid to get messy when the story calls for it, and some of its bloodier moments provide exactly the kind of payoff you want after spending so much time wandering through dark rooms waiting for something horrible to happen. The practical nastiness also gives the later portions of the movie a little extra personality.

Things get especially fun toward the end, when the movie begins revealing just how bizarre the situation inside the house really is. Without spoiling what is waiting down there, the atmosphere started giving me flashes of "The People Under the Stairs". It isn’t trying to imitate that film, but it has a similar feeling: you enter a house expecting one type of nightmare and discover something stranger hiding behind the walls. That unexpected shift was easily one of my favorite parts of the movie. They knew this movie needed to make its own mark in the found-footage world, and they did it well.

Knowing that "The Psychic: Files" is intended to be the first chapter in a continuing series from 741 Films also makes some of its bigger ideas intriguing. There are pieces of mythology introduced here that could become much more compelling if future stories expand upon them, especially now that this first installment has established the kind of strange territory the series is willing to explore. I will also never turn down an opportunity to check out a horror anthology series.

"The Psychic: Files" could certainly benefit from a tighter storyline and stronger character development, but its flaws never completely overwhelmed what worked for me. There are some effective supernatural moments, a clever twist, surprisingly good gore, and a final stretch that confidently embraces the weirdness of its premise.

Considering I normally see the words "influencer found-footage movie" and immediately prepare myself for ninety minutes of bad decisions and screaming into a phone, I had a much better time with this one than I expected. "The Psychic: Files" may begin with characters desperately trying to create something worth watching, but once the house starts revealing its secrets, the movie becomes exactly that.

"The Psychic: Files" from Terror Films Releasing is now available on Tubi, Chilling, The Roku Channel, Fandango at Home, and additional streaming platforms.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/20/26 Christopher James 8/20/26

My First MIDSUMMER SCREAM: A Weekend Celebrating All Things Horror

Horror has been a part of my life for as long as I can remember, but my relationship with the genre goes much deeper than simply enjoying scary movies. Growing up, movies became an escape for me, especially during some of the more traumatic moments of my childhood. Horror, strangely enough, became one of my favorite ways to wind down. You might think someone who experienced scary things in real life would want nothing to do with them on screen. Oddly enough, I found myself fascinated by the stories, characters, monsters, and lore within the genre. Horror wasn't something I wanted to run from; it was something I couldn't get enough of and always found myself running toward.

That love of horror followed me well into adulthood. It eventually led me to start the “I Love Horror Podcast,” where I’ve spent the past six years talking with filmmakers, actors, and creators about the genre we all love. Despite all the incredible experiences the podcast has given me over the years, there was still one horror event I had watched from afar for a few years and always wanted to experience for myself. That event was the event of all horror events: Midsummer Scream.

This year, I finally had the chance to cover Midsummer Scream in Long Beach, California, and the trip meant more than just attending a horror convention. I traveled by myself for the first time in almost 10 years. My wife and I usually take trips to Disneyland together, so heading to California alone was a big step for me in many ways. As soon as I got to my hotel, I truly felt like a “shark out of water”, my horror-loving version of the traditional “fish out of water” story.

Thankfully, I didn't have to wait long before seeing a familiar face. The day I landed in Long Beach, one day before Midsummer Scream officially began, I met up with longtime friend and past podcast guest Jax Skellington, an actress from “Pillow Party Massacre” and talented musician who also provides the intro song for the podcast. We had lunch at The Ordinarie Tavern, and there was something special about sitting across from one of the first people I connected with early in my podcasting career and simply sharing some laughs. It was a great way to settle into Long Beach before the insanity of the weekend began.

Walking into Midsummer Scream for the first time the next day was like stepping into another world, one where horror fandom, elaborate cosplay, and enough horror merchandise to completely destroy my bank account surrounded me in every direction. Think of the “Pure Imagination” scene from “Willy Wonka & the Chocolate Factory,” only instead of candy and chocolate, there were decapitated heads, severed limbs, monsters, and plenty of gore. The only thing missing was a river of blood. Granted, considering the amount of makeup effects and stage blood throughout the convention, we probably weren't that far away from one.

The main floor had so much to take in that I honestly didn't know where to start. There were booths dedicated to major film studios like Universal Studios and Lionsgate, along with local haunted attractions like The Queen Mary, which, for an extra spook factor, I seriously considered staying at during my trip.

Of course, one of the biggest attractions at Midsummer Scream is the collection of walkthrough haunts. I explored the area and got a taste of what they had to offer, but it was also where I learned one of the biggest lessons from my first Midsummer Scream: there simply isn't enough time to do everything. Between interviews, panels, exploring the show floor, reconnecting with friends, and trying to take in as much of the convention as possible, I didn't get to experience the haunts the way I wanted to. Next year, they're going straight to the top of my list.

One of the first things that immediately caught my attention was the Paramount Scares/FANGORIA “Scream”-themed Bradley Video Store, so naturally, I had to check it out. The experience included a Ghostface photo op and a mini video store walkthrough that immediately took me back to the glory days of Blockbuster Video. That nostalgia hit especially hard for me because I actually worked at a few Blockbuster stores when I was younger and still miss that atmosphere immensely.

As someone who remembers spending way too much time wandering through video stores and browsing the horror section for something new to watch, there was something incredibly nostalgic about seeing rows of VHS cases and that old-school rental-store aesthetic again, only this time with a “Scream” twist.

The theming was incredibly cool, with little details throughout the store that made it feel like you had stepped into an actual video rental shop from another era. Of course, having Ghostface hanging around made this particular video store a little more dangerous than the Blockbuster I remembered growing up. At least I don't remember any slashers hanging around that weren't already on the shelves.

They also had clamshell VHS cases featuring different horror movies that let guests win various pieces of merchandise. I decided to pick something completely at random and somehow ended up choosing a horror comedy I've always loved, “Vampire in Brooklyn.” Unfortunately, there was no prize inside my VHS case, but I walked away with something arguably more nostalgic: my very own Bradley Video Store membership card.

They had me write my name on the card and laminated it right there, turning it into a fun little memento I could take home. It's one of those small convention souvenirs that probably means more to me than something I could have simply bought at a booth. Throw in a free copy of FANGORIA Magazine, and it was a pretty great way to kick off my first Midsummer Scream.

One of my favorite parts of any convention is always the vendor floor and artist alley. I get immense joy from walking through what feels like a gallery of terror created by other creative people and seeing all the different ways horror has inspired them. There were so many incredible vendors throughout the weekend, including Tee No Evil, Crude Inc., Trick or Treat Studios, FANGORIA, Bloody Disgusting, Creep-O-Rama, Discount Cemetery, Art by Cheyne, Lucky Hellcat Art, Sandrade Illustration, and many more.

I spent hours going back and forth between vendors, discovering new artists, revisiting booths I had already convinced myself I was done spending at, and somehow leaving with even more. By the end of the weekend, I had managed to snag T-shirts, posters, artwork, stickers, collectibles, celebrity autographs, and enough other horror merchandise to make packing for the flight home an entirely different kind of nightmare.

My first night at Midsummer Scream also gave me one of those moments where I had to remind myself how surreal doing the podcast has become. I was invited to attend the Storm King Comics VIP event celebrating “CATHEDRAL,” the graphic novel and companion music project from the world of Storm King Comics. The event alone was an incredible way to spend my first night at the convention, but it became even more memorable when I got to meet John Carpenter. I felt a bit like a little kid eagerly waiting to meet Santa Claus. I hung out while people talked to him, waiting for a moment to say hi and show my appreciation for his work in horror. I always try to bring up a random movie or work I’ve enjoyed instead of the typical fan favorite when I meet celebrities. So, when I finally got my chance to go over and say hi, I had to mention one of my favorites of his, “Body Bags.” He laughed and said thanks. Very nice about it, and we took a selfie. After that, I chilled for a bit at the VIP event, enjoying the music and people hanging around.

There are certain names in horror that almost feel larger than the genre itself, and Carpenter is absolutely one of them. This is the filmmaker behind “Halloween,” “The Thing,” “They Live,” “The Fog,” and countless other movies and scores that helped shape not only horror, but my own love of it. Standing there with John Carpenter was one of those rare moments where the podcaster in me disappeared for a second and the lifelong horror fan completely took over. Out of all the memories I brought home from Long Beach, meeting Carpenter is one I know I'm going to be talking about for a very long time.

The next day, my Storm King Comics experience continued when I sat down to interview Sandy King, founder and editor of Storm King Comics and co-author of “CATHEDRAL” alongside John Carpenter and Sean Sobczak. We talked about the comic, the world they created for “CATHEDRAL,” and what it took to bring the project to life. After meeting Carpenter the night before, sitting across from Sandy to discuss the project made the entire Storm King Comics experience one of the biggest highlights of my weekend.

Of course, Carpenter wasn't the only horror icon being celebrated throughout Midsummer Scream. One of the biggest themes of this year's convention was the 30th anniversary of Wes Craven's “Scream.” The celebration brought together cast members Matthew Lillard, Skeet Ulrich, Jamie Kennedy, Roger L. Jackson, Joseph Whipp, and Lee Waddell, along with Spencer Charnas of Ice Nine Kills, composer Marco Beltrami, and many others tied to the film's legacy.

The weekend included panels celebrating “Scream,” along with booths where cast members could meet fans and sign autographs. Because everyone was so popular, I could only stop by Skeet Ulrich's booth to say hello and get an autograph before he, too, was listed as “at capacity” for fans. If there was ever any doubt that people still love “Scream” three decades later, Midsummer Scream erased it quickly.

With so much happening throughout the weekend, I surprisingly only made it to two panels, but both were ones I genuinely wanted to see. The first was the “V/H/S Halloween: Home Haunt” panel, which was particularly special because it featured past podcast guest Sarah Nicklin. The panel also featured Josh Goldblum (producer of the V/H/S franchise), Micheline Pitt-Norman (‍Co-writer and director of the "Home Haunt" segment), R.H. Norman (Co-writer and director of the "Home Haunt" segment ), and ‍Carleigh Herbert (Makeup Department Head of the "Home Haunt" segment ). After speaking with Sarah on the podcast, sitting in the audience and watching her discuss “Home Haunt,” one of my favorite segments from the V/H/S franchise, created another fun full-circle moment that kept happening throughout the weekend.

The other panel I made sure not to miss was “Last Podcast on the Left” (featuring Ed Larson, Henry Zebrowski and Marcus Parks). Anyone familiar with me or the podcast probably knows how much I enjoy the Last Podcast Network crew, so getting the chance to watch them live at Midsummer Scream was an easy decision. Between the laughs, the horror discussion, and reconnecting with several people from the network throughout the convention, it was the perfect panel for this trip. I also had many chances to stop by their booth, hang out, and even get my picture taken with the three of them. It was my first chance to meet Henry and Marcus, so that was an extra bonus to my trip.

As much as I went to Midsummer Scream to experience everything the convention had to offer, one of the biggest reasons the weekend meant so much to me was finally getting to meet people in person who had previously appeared on my podcast.

Over the years, some of those guests have gone from being people I interviewed to people I genuinely consider friends within the horror community. Typically, I do Zoom calls with my guests, so it was incredibly rewarding to finally stand face-to-face with people I had spent hours talking with through a microphone and reminisce about the ridiculous conversations, horror discussions, and fun moments we had shared on their episodes.

Throughout the weekend, I reunited with several past guests and friends, including Rob Oakey, producer from Last Podcast on the Left's “Side Stories”; Jackie Zebrowski (from the Last Podcast Network's“Who's the Bitch,” “Page 7,” and “Romantasy Deep Dives”); Geoff Adams (from Crude INC); Audrie Nightmare; Nathan Baesel (star of the cult found-footage horror film “Behind the Mask: The Rise of Leslie Vernon” and its upcoming sequel), Sarah Nicklin (from “V/H/S Halloween: Home Haunt”), and Ed Larson (co-host of “Last Podcast on the Left,” “Side Stories,” “The Brighter Side Podcast,”, “Movie Stories” available only on their Patreon, and“HGx2” on LPN TV).

I also had the chance to reconnect with Samuel Santiago from Truly Disturbing, who gave me my first opportunity to start reviewing horror with his first horror review site. Writing for him inspired me to reach for more in the world of horror I’ve enjoyed so much, which is what inspired me to start my podcast. Also, being surrounded by people who have supported me, inspired me, made me laugh, and helped shape different parts of my journey in horror media meant just as much to me as any autographs, panels, or pieces of merchandise I brought home. I went to Long Beach expecting a horror convention. I came home realizing Midsummer Scream was something much more personal than that.

Horror was once an escape I could disappear into when I needed it most. Years later, that escape somehow has turned into a podcast, friendships, conversations with people I once only knew from movies, television, music, and horror media, and now a weekend surrounded by thousands of people who understand exactly why this genre means so much to me.

Maybe that's why Midsummer Scream felt less like a convention and more like a kind of horror Utopia. I went there by myself, completely outside my comfort zone, and left already thinking about next year. So, whether Anaheim is a short drive or a plane ride away for you, if you've ever wanted to experience what it feels like when an entire community comes together to celebrate everything strange, scary, bloody, creative, and wonderful about horror, I highly recommend making the trip.

Thanks to everyone I met, laughed with, interviewed, reunited with, or shared the convention floor with for making my first Midsummer Scream unforgettable. Hope to see you in Anaheim next year. I spent years watching horror from the outside looking in, and for one unforgettable weekend at Midsummer Scream, it finally felt like I was exactly where I belonged.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/18/26 Christopher James 8/18/26

(NEWS) FANTASTIC FEST 2026 Reveals a Killer Lineup

There are film festivals I look forward to every year, but Fantastic Fest has always felt like something special. Over the years, I’ve had an absolute blast covering the festival and getting an early look at some of the horror, sci-fi, action, and downright bizarre movies everyone ends up talking about afterward. Fantastic Fest has built an incredible track record of spotting genre favorites early, with past world premieres including "Smile,” "Split," and "Zombieland," among many others. That history is exactly why I get excited whenever a new lineup drops; you never quite know which movie you’re about to discover before the rest of the world catches on. Now, Fantastic Fest is preparing to return to the Alamo Drafthouse in Austin, Texas, from September 17–24. The newly announced 2026 lineup already has my attention, with everything from Zach Cregger’s"Resident Evil" to "Beware Boiúna," new "Carrie" episodes, a Walter Hill tribute, and plenty more waiting to be discovered. After how much I’ve enjoyed covering Fantastic Fest in previous years, I’m beyond ready to dive into this year’s movies. If the first lineup announcement is any indication, we’re in for one hell of a festival. Here are the newest horror movies that will be premiering at Fantastic Fest:

“3 WEEKS AFTER” (Director: Miroslav Terzić)

Synopsis: Three weeks after his friend's suicide, a teenager joins his classmates on a school trip. As the bullying escalates and tensions boil over, tongues loosen, forcing the truth out into the open.

“5 MORE MINUTES” (Director: Javier Ruiz Caldera)

Synopsis: A husband and wife in an ailing marriage discover that actions really do have consequences in this darkly funny twist on the time loop motif.

“ADULT SUPERVISION” (Director: Alex Schulman)

Synopsis: When three fathers volunteer to chaperone their teenage daughters’ school trip, the initially idyllic getaway quickly reveals brutal social dynamics that have them in over their heads.

“ATTACK ON PARADISE” (Director: Bob Colaers)

Synopsis: After seven years of no sleep, grief, and nightmares, Suleyman finally reunites with his mother in Paradise—just as henchmen, cops, and one very bad raid drag him back into hell.

“BEWARE BOIÚNA” (Director: Mike P. Nelson)

Synopsis: Deep in the Amazon, a medical mission spirals into a fight for survival when Boiúna, a colossal ancient predator, awakens to reclaim her domain. In the jungle where nature holds absolute power, she decides who lives and who dies.

“THE BIRTHDAY PARTY” (Director: Léa MYSIUS)

Synopsis: Happy biiiirthday to you! Nora is turning 40, and for her birthday she’ll be getting three uninvited guests who claim she isn’t who she says she is, plus the unraveling of her carefully constructed life.

“THE BLOOD COUNTESS” (Director: Ulrike Ottinger)

Synopsis: Elizabeth Báthory, a recently reawakened vampire, pursues an ancient artifact that could destroy her family in present-day Austria.

“BLOOD FEAST” (Director: Herschell Gordon Lewis)

Synopsis: A 4K restoration of the world's first "splatter" film from AGFA + Something Weird.

“BLOODY TENNIS” (Director: Nikias Chryssos)

Synopsis: Sophie’s coming of age gets sweatier and bloodier than expected when she joins a summer tennis academy where the blood-red morning smoothie is by far the least weird thing going on.

“CARRIE“ {Two Episodes} (Director: Mike Flanagan)

Synopsis: After her father’s sudden, untimely death thrusts her into the unforgiving ecosystem of public high school, Carrie is forced to navigate a viral bullying scandal that tears through her community, the relentless pressure and casual cruelty of the social‑media age, and the awakening of mysterious telekinetic powers that rise alongside her adolescence.

“CINEMA RECOMPOSED: SILENT MONSTERS” (Directors: “THE THIEVING HAND” - Unknown Director / “FRANKENSTEIN” - J. Searle Dawley / “DR. JEKYLL AND MR. HYDE” - Lucius J. Henderson / “THE GHOST OF SLUMBER MOUNTAIN” - Willis O'Brien / “HÄXAN: HELL SEQUENCE” - Benjamin Christensen / “HELLS BELLS” - Ub Iwerks / “THE HAUNTED SHIP” - John Foster & Mannie Davis)

Synopsis: A live string quartet plays new scores for seven classic silent horror short films. Seven composers, aged 17 to 24, composed new scores for these films under the mentorship of some of the industry's top professionals.

“COMPLIANCE” (Director: Kyle Mangione-Smith)

Synopsis: A corporate client relations rep pulls a loose string, unraveling a vast conspiracy in this doom-laden found footage stunner.

“CORPUS” (Director: Corrin Evans)

Synopsis: Three friends flee the club scene for an exclusive, steamy party at a remote estate only to find themselves victims of increasingly erotic and violent supernatural attacks.

“THE CYCLE” (Director: Jordan Downey)

Synopsis: When the body of a man missing for thirty-six years is discovered at the scene of a horrific crime, it’s up to his estranged daughter to unravel his dark past.

“DEATH HAS NO MASTER” (Director: Jorge Thielen Armand)

Synopsis: After her father's death, Caro travels to Venezuela to sell the family cacao plantation, only to find it occupied by a mother who refuses to leave—forcing Caro down a path of violence with devastating consequences.

“DEATH OF A YELLOW BIRD” (Director: Cody Calahan)

Synopsis: A dying man returns to his childhood home to film messages for his son when he discovers a supernatural presence haunting the isolated cabin in this emotional ghost movie.

“DOG GOD” (Director: Ing K)

Synopsis: Banned in Thailand for almost 30 years for insulting religion, and maybe the monarchy too, the elusive DOG GOD emerges as a gleefully anarchic critique of blind faith.

“DONKEY PRINCESS” (Directors: Cristóbal León & Joaquín Cociña)

Synopsis: In a kingdom where love has been declared a plague, a princess travels across different realities to find love, confront grief, and attain individuation.

“EXTREME PREJUDICE” (Director: Walter Hill)

Synopsis: Nick Nolte stars as a Texas Ranger engaged in a showdown against his former childhood friend turned drug kingpin, played by Powers Boothe, in this classic neo-Western action film.

“THE FACE OF HORROR” (Director: Anna Biller)

Synopsis: A vain knight, an inconvenient wife, and a marriage built on murder. Anna Biller’s gloriously lurid ghost story proves that killing your wife may only be the beginning of your problems.

“FLAPJAX” (Director: Rocko Zevenbergen)

Synopsis: An annoyingly optimistic, but endearingly earnest, fast food restaurant manager is tasked with relaunching the long-dormant product, Flapjax, and no amount of mysterious warnings or disappearances are going to get in his way in this campy horror-comedy.

“FRISK” (Director: Todd Verow)

Synopsis: Tired of only fantasizing about murdering young, attractive men, Dennis decides to take the plunge and do the deed in this restoration of Todd Verow’s 1995 gay serial killer fantasia.

“FULL PHIL” (Director: Quentin Dupieux)

Synopsis: Tim, Eric, K-Stew, Woody, and Dupieux team up in this feature-length comic romp that’ll leave your belly full o’ laffs.

“FUTURE TENSE” (Director: Jenna Cato Bass)

Synopsis: In a dystopian future, a young couple clashes during their time-traveling vacation.

“GAME MASTER” (Director: Éric Judor)

Synopsis: A joyous celebration of imagination, awkward parenthood, and the transformative power of play that ventures deep into the wonderfully eccentric world of live-action role-playing.

“GHOST IN THE CELL” (Director: Joko Anwar)

Synopsis: Witness Indonesian genre visionary Joko Anwar’s most deliriously ambitious film: a blood-soaked fusion of supernatural horror, prison thriller, martial arts action, and pitch-black political satire.

“GIMME TRUTH” (Director: Brad Abrahams & Simon Ennis)

Synopsis: Delve deep into the world of conspiracy theories in North America in this compassionate documentary by Brad Abrahams and Simon Ennis.

“GIRL IN THE NIGHT” (Director: Luka Marčetić)

Synopsis: In this deadpan Slovenian romp, a lonesome guy desperate for human connection decides to steal the bicycle of the town’s self-appointed vigilante; as the “sole witness” of the crime, he is inducted into joining her nightly escapades.

“THE GLORIOUS DEAD” (Director: John Adams & Toby Poser)

Synopsis: A sheriff and her deputy awaken to a world transformed: bloody chasms erupt from the earth, grotesque flesh-born creatures roam the land, and the recently deceased rise again.

“GODMOTHER” (Director: ohn Veron)

Synopsis: A meticulously planned desert couples' vacation spirals into chaos when family tensions and a pair of mysterious hosts with devilish intentions transform a romantic getaway into a nightmare.

“HALF” (Director: Samjad)

Synopsis: Two half-human, half-vampire siblings are run off the road and left for dead by a gang of scavengers—and they're coming back for bloody revenge.

“HELL HOUSE” (Director: George Ratliff)

Synopsis: A restoration of the essential Y2K-era doc from the American Genre Film Archive (AGFA) with director George Ratliff in person.

“HENRY: PORTRAIT OF A SERIAL KILLER” (Director: John McNaughton)

Synopsis: A brand-new 35mm print produced for the 40th anniversary of one of the 20th century's most harrowing films, HENRY: PORTRAIT OF A SERIAL KILLER features a chilling, career-defining turn by Michael Rooker.

“THE HERETIKS” (Director: Gregg Bishop)

Synopsis: When a coven of witches determined to unleash the apocalypse marks Ada's younger sister for sacrifice, she joins forces with a renegade witch in a relentless fight for survival.

“I HAVE PROOF” (Director: James Cullen Bressack)

Synopsis: Alex has proof, and he wants you to see it.

“INTO THE SKY” (Directors: Evan Wolf Buxbaum & Drew Mylrea)

Synopsis: A man’s efforts to win back his estranged wife are derailed by a mysterious extraterrestrial force that keeps snatching him from Earth.

“JANUR IRENG: SEWU DINO THE PREQUEL” (Director: Kimo Stamboel)

Synopsis: Indonesian horror specialist Kimo Stamboel cooks up a deliriously demonic prequel to his box office hit SEWU DINO, as a pair of desperate siblings stumble unwittingly upon a centuries-old satanic ritual orchestrated by their wealthy relatives.

“JIM QUEEN” (Director: Marco Nguyen & Nicolas Athane)

Synopsis: As a virus that turns gay people straight sweeps across the world, Jim Perfect goes on a quest across Paris, with his number one fan Lucien, to find the cure in this animated comedy.

“JOLLYFACE” (Director: Justin Floyd)

Synopsis: A white woman launches her own investigation into her Black fiancé’s violent murder only to find herself hunted in her apartment complex by a killer determined to keep the truth silent.

“KICK ON” (Director: Nick Kozakis)

Synopsis: Four friends trying to keep their late-night bender going end up at the apartment of a reckless mobster; what starts as a casual substance-fueled afterparty quickly escalates into a violence-filled rager.

“KUNG FU DEADLY” (Director: Fergal Costello)

Synopsis: A late-to-launch young man and his even less responsible friend realize they may be the last line of defense between humanity and an ancient Chinese evil. Martial arts and supernatural horror collide in this romp of a buddy comedy.

“KYLGOR IN THE GRISLY ABYSS” (Director: Mason Jeffrey Newton-DeRushie)

Synopsis: Grimdark fantasy, an epic quest, buckets of blood… all puppets. Need we say more?

“LITTLE DOORS” (Director: Anthony Oberbeck

Synopsis: Two socially awkward people find love and then define it for themselves in a barren, post-apocalyptic world before they discover a small, wooden door in the side of her body and decide whether or not to open it.

“MAGICK MTN.” (Director: Hana Mae Lee & Hal Satin)

Synopsis: Ghosts, Goblins, and Crowley. MAGICK MTN. is a rock and roll fairytale set deep in Laurel Canyon using instruments of the occult to dig beneath the soil of a hillside marked by tragedy and death.

“MR. CREAMJEANS’ HIDEY HOLE” (Director: Heath Benfield)

Synopsis: A raunchy series of sexy, horrifying, and hilarious vignettes, MR. CREAMJEANS' HIDEY HOLE is a shocking, disgusting, and ultimately satisfying anthology that’s never afraid to put a man in his proper place.

“NO REST FOR THE WICKED” (Director: Kasper Kalle)

Synopsis: After Baldur is rescued from drowning by a handsome whaler, the two begin a passionate love affair that requires sacrifices to an Elder God to endure.

“NO WAY DOWN” (Directors: Mohamed Chabane & Théo Jourdain)

Synopsis: Fresh out of prison, Idriss enters the derelict Kraken apartment complex to find his ex-girlfriend's brother, only to be dragged back into violence by a ruthless squatter tied to the past Idriss is fighting to leave behind.

“OGROFF” (Director: Norbert Moutier)

Synopsis: Bleeding Skull presents a restoration of the fabled underground slasher from France.

“THE ONES WHO GRIEVE” (Director: Quarxx)

Synopsis: At the end of the 19th century, as a mysterious plague spreads across the countryside, a young woman living under the tyranny of her deeply religious father fights to reclaim her freedom.

“PATHETIC FALLACY” (Director: Adam Egypt Mortimer)

Synopsis: After suffering the devastating loss of his wife, a man embarks on a surreal journey to bring her back.

“PHREAKER” (Director: Adam Yorke)

Synopsis: A blind lonely teen becomes the latest breed of telecom criminal in this crackling dial-up thriller.

“PLATYPUS” (Director: Joshua Gratton)

Synopsis: Kimberly's recurring dreams of a masked killer murdering young people around town progressively close in on her in this Canadian genre experiment.

“PLAY HOUSE” (Director: Nicolas Jon Curcio)

Synopsis: While renovating a dilapidated house to win back his ex, Elliot discovers VHS tapes of an unaired children’s TV show. The show's dark history seeps into his life, threatening his last chance at reconciliation. Winner of the 2025 Fantastic Pitches.

“POSTHUMOUS” (Director: Josh Tanner)

Synopsis: Zoe returns home to her estranged father, seeking comfort from a series of VHS birthday recordings left behind by her deceased mother, and uncovers an occult ritual that upends everything she was told about her mother's death.

“A PRAYER FOR THE DYING” (Director: Dara Van Dusen)

Synopsis: In a rural Wisconsin town in 1870, Sheriff Jacob Hansen—a man still haunted by the Civil War—is pushed to his psychological limits when a deadly plague sweeps through his community and encroaching wildfires close in.

“RED SNOW” (Director: Ilja Rautsi)

Synopsis: A vampire posing as Santa Claus invades the home of a family whose rebellious teenage daughter wants only one thing: to become a vampire herself and escape her miserable life.

“RESIDENT EVIL” (Director: Zach Cregger)

Synopsis: From the mind of visionary filmmaker Zach Cregger (WEAPONS, BARBARIAN) comes a thrilling — and terrifying — reinvention of the RESIDENT EVIL franchise. In an all-new story, Resident Evil follows Bryan (Austin Abrams), a medical courier who unwittingly finds himself in an action-packed, non-stop race for survival as one fateful, horrifying night collapses around him in chaos. From TriStar Pictures, Constantin Film, and Davis Films, RESIDENT EVIL hits theatres September 18, 2026.

“RIVER” (Director: Joshua Giuliano)

Synopsis: When three estranged siblings reunite in their hometown after the death of their father, they set out to scatter his ashes at his favorite spot on a remote river. But when their boat breaks down, the trip devolves into a waking nightmare.

“ROMA ELASTICA” (Director: Bertrand Mandico)

Synopsis: French cinema maestro Bertrand Mandico and mega-starlet Marion Cotillard broadcast a daring hyper-pulp transmission straight from 1980s Italian cinema.

“ROY FROM SPACE” (Director: Héctor López Carmona)

Synopsis: An evil space emperor plots to take over the Earth in this restoration of one of the first fully animated feature films from Mexico.

“SCREAMPLAY” (Director: Rufus Butler Seder)

Synopsis: Your new favorite queer horror rediscovery, newly restored.

“SICK” (Director - Agata Trzebuchowska)

Synopsis: Things spiral out of control in more ways than one when two siblings are tasked with caring for their ailing grandma.

“THE SPIRAL” (Director: Paolo Strippoli)

Synopsis: When Alice’s estranged mother arrives with a confession about a twenty-year-old bargain, Alice discovers that the miracle that saved her came with a debt… and the bill has finally come due.

“THE SQUIRREL” (Director: Markus Lehmusruusu)

Synopsis: In a sterile future devoid of nature where emotions are forbidden, a toy designer developing robotic companion dogs rescues an injured squirrel, setting him on a journey of self-discovery and societal rebellion.

“THE SWALLOW” (Directors: Kevin Kölsch & Dennis Widmyer)

Synopsis: A sentient, quicksand-like sludge terrorizes a group of young people in this brutally efficient, effects-forward creature feature.

“TOO MANY BEASTS” (Director: Sarah Arnold)

Synopsis: Transferred to the French countryside, a disgraced cop investigates a rift between the local farmers and hunters, uncovering corruption that runs far deeper than the damage the exploding population of wild boars has wreaked on the region's crops.

“UPIRO” (Director: Óscar Martín)

Synopsis: In the Age of Enlightenment, Ana is sent to a remote monastery to atone for her sins. There, she finds a place plagued by a mysterious blood disease linked to a supernatural being: the upyr.

“ÜREI” (Director: Yerkezhan Baizhan)

Synopsis: When a young girl is left with her aging grandmother in rural Kazakhstan, an ordinary act of familial care quickly turns into an unsettling descent into the unknown where loss can take monstrous forms.

“VERTIGINOUS” (Director: Quentin Dupieux)

Synopsis: Quentin Dupieux offers a delightfully off-kilter take on the simulation hypothesis with early Y2K graphics and his trademark deadpan wit, turning the theory into an absurdly funny mirror of contemporary life.

“VICTORIAN PSYCHO” (Director: Zachary Wigon)

Synopsis: Set in Victorian England, VICTORIAN PSYCHO sees an eccentric governess arrive at a remote gothic manor, where strange happenings stir suspicion that she’s not what she seems.

“WELCOME TO DOLLY’S HOUSE” (Directors: Seven Ych, Rady Fu, & Tree Muta)

Synopsis: Taiwan’s first major rotoscoped 2D animated feature tells the story of a ghost-debunking influencer who begins to question her own identity after entering the mansion of a famously reclusive doll-maker.

“WHAT HAPPENED TO DORIS?” (Director: Nick Simon)

Synopsis: Based on the terrifying true story that inspired THE ENTITY, WHAT HAPPENED TO DORIS? follows a single mother whose violent encounters with an unseen force draw UCLA investigators into one of the most infamous paranormal cases in American history.

“WILD HORSE NINE” (Director: Martin McDonagh)

Synopsis: A CIA mission to Easter Island unravels amid conspiracies, secrets, and Chile's looming coup.

With a lineup this packed, this year’s Fantastic Fest is shaping up to be one of the most exciting yet. I can’t wait to dive into these films, discover a few surprises along the way, and share my thoughts on the ones that leave the biggest impression. Plus, the interviews with some of the people involved in these films are another fun part of covering Fantastic Fest. Stay tuned here throughout the festival for reviews, coverage, and plenty more from Fantastic Fest. If this lineup is any indication, horror fans have a lot to look forward to.

Synopsis: Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 8/12/26 Christopher James 8/12/26

(NEWS) “EVER AFTER” Hits Theaters This September

There’s something special about seeing a group of horror legends come together in the same movie. For longtime fans (including myself), it can feel like a love letter to the horror genre. It is a chance to watch those spooky familiar faces from across the horror landscape share the screen. These types of horror films tend to bring decades of scares, screams, and iconic performances. When the right cast comes together, it’s more than a press casting just for the headlines themselves; it becomes a truly enjoyable event for the people who have been watching these actors terrify audiences for years. Recently, I had some news come to my email from Level 33 Entertainment regarding an announcement for a new movie that brings quite the horror star power. Here is the info.

From the Level 33 Entertainment Press Release:

Five horror legends share the screen for the first time in “EVER AFTER”, the star-studded fairy-tale nightmare from writer/director Laszlo Illes. Level 33 Entertainment has acquired the film for an exclusive U.S. and Canadian theatrical release beginning September 4, 2026.

Starring Mark Sheppard (“Supernatural”), Bonnie Aarons (“The Nun”), Michael Berryman (“The Hills Have Eyes”), Kane Hodder (“Friday the 13th”), and Malcolm McDowell (“A Clockwork Orange”), “EVER AFTER” transforms the beloved characters of classic fairy tales into relentless killers in a suspense-filled survival nightmare.

“A bachelorette weekend at a secluded forest lodge quickly descends into terror when a group of friends discovers that the surrounding woods are inhabited by murderous fanatics who believe they are the heroes and villains of childhood fairy tales.

Little Red Riding Hood, the Big Bad Wolf, the Evil Witch, Prince Charming, and other familiar figures emerge from the darkness, turning childhood stories into a brutal fight for survival where every fairy tale ends in blood.”

Produced by Intergalactic Pictures, McClurg Productions, Harambee Grey-Sun Productions, Stag Mountain Films and Avali Productions, “EVER AFTER” combines practical creature effects, large-scale set pieces and one of the most recognizable ensemble casts assembled in independent horror in recent years.

Writer/director Laszlo Illes said, “As a lifelong horror fan, working with Mark Sheppard, Bonnie Aarons, Michael Berryman, Kane Hodder and Malcolm McDowell was something I could only dream about for many years. Watching these incredible actors bring our twisted fairy tale world to life was an unforgettable experience and one of the greatest highlights of my career.

“Every one of them gave everything to their characters, and I couldn't be prouder of what we created together. I sincerely hope horror fans around the world will enjoy this dark and unpredictable journey as much as we enjoyed making it.”

Andreas Olavarria, President & CEO of Level 33 Entertainment, added, “EVER AFTER immediately stood out as a bold and imaginative horror film with an outstanding cast of genre favorites. It takes familiar fairy tale characters and transforms them into unforgettable nightmares while delivering exactly the kind of thrilling theatrical experience horror audiences love. We're excited to bring this unique vision to theaters across the United States and Canada.”

“EVER AFTER” opens exclusively in theaters across the United States and Canada on September 4, 2026, before continuing its worldwide rollout.

I, for one, will be eagerly anticipating the release of “EVER AFTER”. As a Disney fan and a horror fan, I will review this hybrid-genre movie as soon as I get the opportunity. Stay tuned for the full review of “EVER AFTER” right here!

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/31/26 Christopher James 7/31/26

(NEWS) SALT CITY PARACON Brings Big Fears For It’s 1st Year

Having spent over 30 years in Utah, I've witnessed its share of unexplained events and paranormal experiences. The Beehive State is known for ghostly tales in historic buildings and eerie stories from old mining towns, attracting paranormal enthusiasts. Whether you're a believer or simply intrigued by mysterious stories, Utah offers plenty to explore, making the first Salt City Paracon welcome addition to its horror and paranormal scene.

Recently I had the opportunity to attend this event one of the days it was available, and it didn't take long to realize that this convention wasn't trying to be the biggest paranormal event around. It was focused on creating an experience where attendees could connect with guests, vendors, and fellow believers without fighting through overwhelming crowds. That smaller, more intimate atmosphere turned out to be one of the convention's biggest strengths. It was quite the intimate and spooky setting that really felt that it will have a lot of big things to offer next year.

One of the highlights of the day was seeing Jay Wasley, whom longtime listeners of my podcast, I Love Horror may recognize from my previous episode with him. It was great catching up with the Ghost Adventures investigator and for the first time being able to meet one of my podcast guests in person. Joining him was fellow Ghost Adventures investigator Aaron Goodwin, whose humor and laid-back personality made him a crowd favorite. Seeing and hearing about people’s experience with them reminded everyone why they've remained such beloved figures in the paranormal world.

Of course, no convention is complete without a vendor floor worth exploring, and Salt City Paracon delivered. Artists like Kookie the Clown, Claudio Bergamin, and Kasten Entertainment (to name a few among the many there) showcased everything from eerie prints and handcrafted collectibles to beautifully detailed horror-inspired creations that begged to come home with attendees. The Western Paranormal Society and Get Out Paranormal AZ where just a couple of vendors offering local paranormal investigators the chance to browse ghost-hunting equipment ranging from beginner-friendly gadgets. Even some more advanced investigative tools for those eager to conduct their own late-night explorations. I made several laps around the venue and each time felt like I was discovering something new (as well as mentally spending money in my head for all the amazing stuff I wanted).

One of the more enjoyable surprises was seeing local haunted attractions like Castle of Chaos represented throughout the event. They not only offered information about their upcoming haunts but also sold some great practical effects keychains made to look like eyes, ears and more that they made. This and other haunted attractions there showcased their upcoming seasons, giving visitors an early taste of the scares waiting for them later this year. It was a fantastic way to spotlight local attractions while helping horror fans plan their Halloween adventures months in advance. Even Black Bumble Tattoo was there to not only represent the amazing tattoo skills they offer, but some cool home made odditites.

If creepy curiosities are more your speed, they had a handful of great oddities vendors that certainly didn't disappoint. Unique taxidermy pieces, unusual collectibles, strange artwork, and conversation-starting displays made these booths impossible to simply walk past. Whether you left with a purchase or just a few unforgettable photos, they added another layer of personality to the convention floor. I walked out with a great Candyman artwork piece that will be on my wall in my podcast studio.

Thanks to the venue's cozy size, the panel discussions felt less like large convention presentations and more like conversations among friends who all happened to share a fascination with the paranormal. That intimacy allowed guests to tell stories, answer questions, and interact with audiences in a way that's often lost at larger conventions. There were a lot of great guest speakers including both Ghost Adventures hosts, Danielle Nicole, John Olsen, Mini Medium, Brian Higgins, and many more that provided many worthwhile talks that any fan of the paranormal world would enjoy. This event’s panels created an atmosphere where everyone felt like part of the discussion rather than just another face in the crowd.

Even between browsing vendors and attending panels, there was no shortage of reasons to stick around. A selection of food trucks outside like The Haunted Wagon, Drip Tacos, Crazy Chicken Lemonade, Witches Brew Coffee Co., and many others that were great to see there. They provided everything attendees needed to recharge before diving back into another ghost story, shopping trip, or celebrity encounter. It's a small detail that made a big difference, helping turn the event into a full-day experience rather than simply convention. I personally had an amazing sandwich from The Haunted Wagon. Even the owner of the food truck provided a memorable experience where he asked for my trust while he choose the perfect sandwich for me and I am so glad I trusted him because it was one of the best meals I’ve had from a food truck.

For a first-year event, Salt City Paracon made an impressive debut. It successfully blended paranormal investigation, horror culture, local businesses, talented artists, and passionate fans into a welcoming environment that never felt overwhelming. While larger conventions certainly have their place, there's something refreshingly personal about an event where conversations happen naturally, guests feel approachable, and every corner offers another interesting discovery.

If this inaugural year is any indication of what's to come, Salt City Paracon has already carved out a place on Utah's paranormal calendar. Here's hoping the spirits decide to stick around, because this is one haunting I'd happily revisit.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the"I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/27/26 Christopher James 7/27/26

(NEWS) FOUND TV’S AFTERLIFE AUGUST Releases Coming Soon

For horror fans, August is one of the best months of the year. It perfectly captures the spirit of Summerween, when spooky season starts creeping in long before the leaves begin to fall. This year, August kicks off with an especially meaningful celebration for me. August 2 marks the birthdays of two of my favorite writers and directors, Wes Craven and Kevin Smith. It's also my birthday and the anniversary of the I Love Horror Podcast, making it the perfect way to kick off another month of celebrating the genre I love. Adding even more excitement to the festivities, FOUND TV is delivering another solid lineup of found footage and indie horror releases throughout the month, giving fans plenty of chilling new films to stream as Summerween rolls on. Mark your calendars for these new FOUND TV releases:

August 4 – "The Possession of Altair" (2016): A newlywed couple disappeared in 1974, and their 8mm tapes reveal one of the most horrifying events in Mexican history. Canada and U.S. only.

August 7 – FOUND EXCLUSIVE: "Watchful Eyes" (2026): Sebastian, a grieving man, takes a janitor job on a university campus. While monitoring students linked to a professor's death, he uncovers a ghost story that may be more real than anyone believed. North America only.

August 11 – "VCR Willie: Tape 1" (2025): The camera only existed in Alex's dreams—until he found it on his kitchen table. Now, it only exists to record nightmares.

August 14 – "Beliath" (2026): A chilling found-footage horror set in rural England, where a small local news crew investigates a string of mysterious murders in the South Downs Forest. What begins as a routine crime report soon spirals into a descent through eerie folklore, buried cults, and unsettling discoveries that blur the line between journalism and obsession.

August 18 – "VCR Willie: Tape 2" (2026): In Tape 2, the camera captures the rot beneath the suburban surface. What begins as recordings of cooking and housework spirals into a series of domestic nightmares orchestrated by the mysterious Mrs. Wells.

August 21 – "Dagr" (2024): Fame-seeking YouTubers find themselves in a paranormal nightmare when the advert team they are stealing from awakens a murderous occultist from the past. Canada and U.S. only.

August 25 – "The Doll People Tapes" (2026): Recovered footage reveals the lives of sex workers in a small town as they share their struggles and hopes. As filming continues, unsettling events unfold, leaving behind disturbing evidence of what may have happened to them.

August 28 – "DOC_05" (2026): A group of film students heads to a cabin to shoot their first feature, but when an unknown trespasser begins stalking them, their obsessive director refuses to leave—determined to finish his masterpiece at any cost.

August is shaping up to be a massive month for found footage and supernatural horror. This month’s lineup continues FOUND TV’s commitment to delivering unsettling found footage films, paranormal storytelling, and unique genre filmmaking from around the world. With a mix of original productions, exclusive releases, cult favorites, and disturbing late-night discoveries, there’s something here for every horror fan. Whether you’re into haunted investigations, psychological breakdowns, cursed recordings, or digital-age nightmares, August’s releases offer plenty of reasons to keep the lights on. If you’re new to FOUND TV, use my code ILOVEHORROR for $5 off your yearly subscription.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/22/26 Christopher James 7/22/26

(REVIEW) "SUNSET STRIP KILLERS" Blends Beauty, Obsession & Bloodshed

Horror has always borrowed from real life, but over the last ten years it feels like true crime has completely kicked the door down. Every streaming service has another serial killer documentary, another infamous case getting the Hollywood treatment, and honestly...I'm not complaining. Sometimes the scariest horror movies don't need to invent a monster because history has already provided us with one. As someone who's been obsessed with horror for as long as I can remember, I love when filmmakers take a true story and make me forget I'm watching actors. That's not an easy thing to pull off, yet it seems like an easy task for some of these great filmmakers lately. Too many true crime movies have been guilty of either glorifying the killers or feeling like a made-for-TV crime special with a slightly bigger budget. Finding that balance is tough, but when it's done right, those are the movies that stay with me the longest.

Before we get into my thoughts on "Sunset Strip Killers," I have to give a huge thank you to Chad Ferrin for giving me the opportunity to review this film. If you've followed indie horror for any amount of time, you already know Chad isn't afraid to explore some incredibly dark material. He directed "Pig Killer," based on the horrifying crimes of Robert "Willy" Pickton, along with "Night Caller," another gritty thriller that blends horror, crime, and psychological tension. I'll admit it, I'm already a sucker for a well-made true crime horror movie. Give me a story rooted in reality, and you've got my attention. Now, if you tell me Chad Ferrin is involved? Well, now you've really got me. I've genuinely enjoyed his work over the years, so my expectations were definitely a little higher walking into this one.

For “Sunset Strip Killers”, Chad directs with Timothy Croteau and Chuck Parello writing as they take us back to one of Los Angeles' most disturbing murder cases. They do so by telling the story of Doug Clark and Carol Bundy. Let me tell you right now...this isn't exactly the movie you throw on because you want to end the evening feeling warm and fuzzy. It is an insane journey through a toxic relationship and giving in to your darker side.

The story follows Carol, a lonely nurse searching for connection, who crosses paths with Doug, a charming but deeply unstable man hiding some terrifying secrets. What begins as an unhealthy relationship quickly snowballs into manipulation, obsession, and eventually a brutal killing spree that shocked Los Angeles. The movie doesn't just ask whether Carol was manipulated; it constantly challenges you to decide how much responsibility she should shoulder herself. I found myself changing my mind more than once about who was innocent and who wasn't. This is just one of the many movie's biggest strengths.

About twenty minutes in, I realized this wasn't trying to be another flashy serial killer movie that rushes from one murder scene to the next. Instead, it wants the audience to spend time with these two deeply broken people and watch their relationship slowly spiral into something horrifying. Honestly, that made me far more uncomfortable than watching another over-the-top gore sequence ever could. I actually caught myself forgetting I was watching actors a couple of times because their performances felt so believable. They play off each other very well and have an incredible “Bonnie and Clyde” vibe that is perfectly blended with the setting of the movie.

Doug (portrayed by Max E. Williams) is exactly the kind of character that makes your instincts scream before your brain can explain why. He's calm...until he isn't. Friendly...until he's not. He's the type of guy who smiles at you, and somehow your internal alarm system starts filing a missing person's report. He very much has the charm and evil behind his eyes, much like the Devil himself. The movie never turns him into some exaggerated horror villain, and I'm glad it doesn't. Keeping him grounded makes him much more unsettling because people like Doug actually exist (as he did). There are a few moments where it does go a little over the top, but it makes sense for his character.

Carol (portrayed by Susan Priver), on the other hand, ended up being the person I couldn't stop thinking about after the credits rolled. The film never spoon-feeds the audience an answer about whether she's another victim trapped in Doug's manipulation or someone who willingly embraced the darkness. Life isn't always black and white, and neither is this movie. I appreciated that it trusted me enough to wrestle with those questions instead of handing me an easy answer. The way that Susan portrays this character in a range of emotions, to her arc of being incredibly sadistic, was the best part of this movie for me. Susan has been in more than one of Chad’s projects, and each performance is an award-winning portrayal of the character she is playing.

Visually, “Sunset Strip Killers” does a great job recreating the gritty atmosphere of early-1980s Los Angeles. The neon lights, rundown motels, smoky bars, and late-night streets create an atmosphere that feels authentic without trying too hard. It doesn't look like the glamorous Hollywood most people picture. It looks like the Hollywood where bad decisions have consequences.

One thing I noticed while watching was that I never once reached for my phone to see how much time was left. That's usually a pretty good sign. The pacing gives the characters room to breathe without dragging on, and I found myself more invested in the psychology of the relationship than in the murders themselves. That's not something every true crime movie manages to accomplish.

Don't go into this expecting a blood-soaked slasher. There are brutal moments to satisfy you’re gore fueled needs, but this isn't the kind of movie trying to break a practical effects record. Honestly, it doesn't need to. Knowing these crimes actually happened does most of the heavy lifting. Sometimes your imagination is far crueler than anything shown on screen, and this movie knows exactly when to let your mind fill in the blanks.

One thing I always worry about with movies based on real killers is whether they accidentally turn murderers into celebrities. We've seen that happen before, and it never sits right with me. Thankfully, "Sunset Strip Killers" avoids that trap. Doug and Carol aren't portrayed as rock stars of crime. They're shown as deeply broken people whose horrific decisions destroyed innocent lives, and I appreciated that restraint. The film never loses sight of the fact that this story isn't about making killers fascinating, it's about showing just how destructive obsession and manipulation can become.

Is the movie flawless? I will say it is pretty damn close. Chad Ferrin’s talent shines through with strong casting and many impressive elements. Some supporting characters lack depth, and a few scenes could be longer, but these are minor issues compared to everything the film does well. If I were a betting man, I would say anyone who watches this will enjoy it as much as I did.

By the time the credits rolled, I caught myself still thinking about Carol more than Doug. That's probably the biggest compliment I can give the “Sunset Strip Killers”. It isn't the violence that lingers; it's the psychology. That's where the film really succeeds. It isn't trying to outdo every serial killer movie that's come before it. Instead, it tells a disturbing true story with restraint, strong performances, and enough tension to remind us that some of the most terrifying horror movies don't have to invent their monsters

If you're looking for nonstop jump scares and gallons of fake blood, this probably isn't your movie. Now, if you're a fan of true crime, psychological horror, and films that leave you thinking long after they're over, "Sunset Strip Killers" is absolutely worth checking out. It respects the real-life story without sensationalizing it, builds genuine tension through its characters, and proves that reality is often far scarier than fiction.

Do you plan on seeing "Sunset Strip Killers"? I'd love to hear what you thought. Did you ever sympathize with Carol, or do you think she crossed the line long before the bodies started piling up? Until next time... keep supporting indie horror, keep your watchlist haunted, and remember... there's always room for one more horror movie.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/17/26 Christopher James 7/17/26

(NEWS) MIDSUMMER SCREAM Celebrates 30 Years of “SCREAM” with PARAMOUNT SCARES

As a lifelong horror fan, I've never been more excited for Midsummer Scream than for any other event. Every year, horror fans from around the world gather to celebrate the genre we all love, making it one of the country's biggest and most anticipated horror conventions. From meeting legendary actors and filmmakers to exploring haunted attractions, discovering incredible vendors, and celebrating everything from slashers to the supernatural, the convention has earned a reputation as a must-attend event for horror enthusiasts. Midsummer Scream is presented by David Markland (Co-Founder/Executive Director), Gary Baker (Co-Founder/Executive Producer), Claire Dunlap (Co-Founder/Producer), and Rick West (Co-Founder/Creative Director). Their goal is to showcase the diversity of Southern California’s haunt and horror communities as a welcoming beacon, drawing fans from around the world to converge on Los Angeles for a weekend of excitement, networking, and nonstop spooky fun.

This year is especially meaningful for me because it marks my first official horror convention. After years of interviewing people from all walks of the horror world, reviewing films, and immersing myself in the horror community, I finally get to experience the excitement firsthand. I can't wait to share the journey, meet fellow fans, and see what unforgettable scares and surprises await at my first Midsummer Scream. Things will be even more exciting for me and fellow horror fans with Midsummer Scream’s newest announcement. Here is the info:

FROM THE MIDSUMMER SCREAM PRESS RELEASE:

LONG BEACH, CA — There are certain rules that one must abide by to celebrate a horror franchise as esteemed as Scream... and rule number one is you never, ever miss a reunion this big. In an unprecedented partnership with Paramount Scares, Midsummer Scream is thrilled to announce a massive, weekend-long celebration marking the 30th Anniversary of Wes Craven’s genre-shattering masterpiece.

Creeping into the Long Beach Convention Center from August 7-9, the massive three-day event includes hundreds of spooky vendors, over a dozen haunted experiences inside the Hall of Shadows, and panels, presentations, and performances across seven different stages all weekend long.

The Ultimate Woodsboro Reunion

Horror fans can meet the original survivors and killers of Woodsboro for autographs, selfies, and professional photo-ops throughout the weekend, including:

· Matthew Lillard (Stu Macher)

· Skeet Ulrich (Billy Loomis)

· David Arquette (Dewey Riley)

· Jamie Kennedy (Randy Meeks)

· Lee Waddell (stunt actor), Joseph Whipp (Sheriff Burke), and more!

For those needing something that stabs deeper, an incredibly limited number of fans can book a private meet-and-greet with Roger L. Jackson, the voice of Ghostface himself, record a custom voicemail, or audio greeting. Celebrity photo-ops and the Roger L. Jackson meet-and-greet can be ordered through Pose Photo-Ops here.

Step Inside the Paramount Scares Bradley Video Store

PARAMOUNT SCARES is rewinding to Woodsboro 1996 for SCREAM's 30th anniversary, recreating Bradley Video — the fictional store where the nightmare began — right on the Midsummer Scream floor, with best fright-friends FANGORIA manning the counter old-school style, playing genre expert to help fans dig up hidden gems worth renting instantly. Ghostface photo ops and merch giveaways await anyone brave enough to ask "do you like scary movies?"

Can’t-Miss Weekend Panels

The weekend’s programming is packed with dynamic, heavy-hitting panels that will gut you like a fish:

· Saturday, August 8: Matthew Lillard takes the stage to host the SCREAM 30th Anniversary Panel, promising special guests, wild franchise insights, and plenty of chaotic audience engagement.

· Sunday, August 9: Dive deep into the auditory terror that kept you looking over your shoulder with THE SOUND OF SCREAM. This panel features master horror composer Marco Beltrami, Spencer Charnas (frontman of Ice Nine Kills), Roger L. Jackson, film producer Marianne Maddalena, and music supervisor Ed Gerrard. Together, they will dissect the spine-chilling music, terrifying vocal delivery, and razor-sharp audio that defined the franchise.

An Exclusive Slice of Horror History

In honor of the anniversary, attendees can snag a special Midsummer Scream edition of Fangoria Magazine, available only at the show. Featuring a blood-pumping cover starring Ghostface, this collector’s item is packed with archival articles, deep dives, and retrospective looks at Midsummer Scream’s 2026 guest line-up.

Don’t Get Woozy! Admission Will Sell Out Soon!

"Weekend" and "Gold Bat VIP" passes have already been slashed to zero and are completely sold out. If you want to make it to the final credits, you need to move fast and visit midsummerscream.com as single-day passes are on the verge of selling out next.

Midsummer Scream has been on my horror “bucket of blood” list for years, and the fact that my first visit coincides with such a massive celebration of one of my all-time favorite horror franchises makes the experience even more special. Whether you're a lifelong “Scream” fan, a haunt enthusiast, or simply someone who loves everything horror (like yours truly here), this year's convention looks like it's going to be one for the history books. I'll be there every step of the way, covering the event for my podcast “I Love Horror”, and I can't wait to share everything I experience with all of you. See you in Long Beach!

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/16/26 Christopher James 7/16/26

FRIGHT NIGHT FIRST LOOKS: “DON’T MOVE” Delivers Big Scares With Its First Trailer

Making people laugh and making people scream may seem like completely different skill sets, but history has proven otherwise. Both rely on perfect timing, catching an audience off guard, and knowing exactly how to get a reaction. That's why it shouldn't come as much of a surprise that some of horror's biggest success stories have come from comedians. Jordan Peele shocked the film world when he traded sketch comedy for modern horror classics "Get Out," "Us," and "Nope," becoming one of the genre's most celebrated filmmakers. Bobcat Goldthwait stepped behind the camera to deliver the unsettling found-footage thriller "Willow Creek," while Danny McBride helped resurrect the "Halloween" franchise as a writer and producer. Each proved that if you can control an audience's emotions, it doesn't really matter whether they're laughing... or gripping the armrest hoping for a distraction to soften the fear.

Over the past several years, James "Murr" Murray has been writing his own chapter in that story. Best known as one of the stars of "Impractical Jokers," Murray has steadily earned respect among horror fans with a string of successful novels co-written with Darren Wearmouth, including "Awakened," "The Brink," "The Stowaway," "Area 51," and "Don't Move." His books blend relentless suspense, memorable monsters, and cinematic storytelling, proving there's much more to Murray than hidden cameras and practical jokes.

That journey has now reached its biggest milestone yet. "Don't Move," the bestselling novel that introduced readers to one of Murray's most suspenseful stories, is making the leap from page to the big screen. The official trailer has finally arrived, giving horror fans their first look at the monstrous creature lurking within its pages.

As an avid horror fan who's watched more creature features than I can count, I walked away genuinely impressed. The trailer got me more than once with its perfectly timed jump scares, pulled me in with its stunning cinematography, and introduced a cast of characters I was already invested in after only a few minutes. Just as importantly, it knew exactly what not to show, teasing the creature just enough to build suspense without giving away all its secrets. If this first look is any indication, "Don't Move" is shaping up to be one of the year's most exciting creature features, and I can't wait to experience those scares all over again when I see it on the big screen.

Directed by Maclain Nelson, "Don't Move" is written by James "Murr" Murray, David M. Wulf, and Ethan Jack Berman. The film stars Lyndsy Fonseca, Russell "Russ" Vitale, Tom Cavanagh, Hunter King, Joseph Lee Anderson, and Rob Riggle, with special appearances by T-Pain, Brian Quinn, and Matt Biedel. The official synopsis reads:

“An annual camping trip takes a horrifying turn when a church group unknowingly wanders into an uncharted section of a remote forest, where its members begin disappearing one by one. As panic spreads, suspicion falls on Ricky (Russell "Russ" Vitale), the group's resident troublemaker, whose mysterious behavior makes him the obvious suspect. But the deeper they venture into the woods, the more terrifying the truth becomes: they're being hunted by a massive, spider-like predator with an insatiable appetite.

Caught in a deadly maze of webs that alert the creature to their every movement, escape seems impossible. Their only hope rests with Megan Forrester (Lyndsy Fonseca), the group's level-headed leader, who is still grappling with a recent personal tragedy. Forced to decide whether Ricky is an enemy or their best chance at survival, Megan must lead the remaining survivors through a nightmare where even the smallest movement could mean a gruesome death. Their only chance to make it out alive is to do the one thing every instinct tells them not to... Don't Move.”

As someone who's always had a soft spot for creature features, I loved this trailer. I enjoy seeing practical tension, memorable monsters, and strong characters come together in a way that keeps you glued to the screen. Based on this first trailer, "Don't Move" looks like it's aiming to deliver exactly that. I have a very good feeling that horror fans will have a lot to talk about once it hits theaters. Full disclosure: I genuinely had moments when a couple of jump scares got me, so I am pretty confident I will love this movie (not to mention I already do love Murr’s work in the horror world).

Now I want to hear from my fellow horror fans. After watching the trailer, what moment hooked you the most? Was it the heart-pounding jump scares, the eerie atmosphere, the creature itself, or maybe a scene that gave you chills? Drop a comment on my socials here and let me know your favorite part of the trailer. Stay tuned for more info and news coming soon. You can watch my full reaction video to the trailer here.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast, and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/15/26 Christopher James 7/15/26

(NEWS) TERROR FILMS Teams With Vertical Platform MICROHOUSE FILMS

For years, Terror Films Releasing has been helping redefine what independent horror can achieve. Long before many of today's cult classics found their audiences, Terror Films recognized the potential in bold, unconventional filmmakers and gave their stories a platform. By championing films like the "Hell House LLC" Franchise, "The Taking of Deborah Logan,""Patient Seven," and "Savageland," the company has helped elevate independent horror into some of the genre's most celebrated modern success stories. Now, as the way audiences consume entertainment continues to evolve, Terror Films is once again embracing the future. Their latest partnership with Microhouse Films demonstrates that they're not only changing how horror is produced and distributed, but also how fans discover and experience it, ensuring the next generation of indie horror reaches viewers wherever they're watching. They recently sent me some news regarding a new partnership that is going to take our fandom of their work to the next level. Here is the news!

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Terror Films Releasing, the digital genre distributor behind indie horror gems such as the "Hell House LLC Franchise,""Patient Seven,""The Taking of Deborah Logan,""Savageland," and more, has teamed up with the newly launched vertical platform, Microhouse Films, to bring select content to its vertical platform. Autumn Federici, Co-Founder of Microhouse Films, had this to say about the collaboration:

"Microhouse Films was created to give filmmakers more ways to distribute, monetize, and extend the reach of their work. Joe Dain and Terror Films have long been committed to supporting independent filmmakers, making them a natural partner as we bring exceptional independent films to the vertical format. These stories now have the opportunity to reach a new generation of mobile-first viewers while creating additional revenue opportunities for filmmakers."

Microhouse, which officially launched on July 7, is a creator-driven entertainment studio developing premium vertical storytelling experiences for mobile-first audiences. Through partnerships with creators, talent, and leading entertainment brands, Microhouse Films acquires and produces original content designed for the next generation of viewers.

Microhouse Films has no subscription fee and requires no fee to upload or host content. Through an ad-free model, filmmakers can choose which episodes to offer for free and which to place behind a credit-based system, retaining control over pricing, release strategy, and revenue.

Microhouse Films was founded by Taye Diggs, Autumn Federici, Shelby Stone, James Black, and Troy Brookins.

"The rise of the micro vertical format is one of the biggest shifts in digital media since streaming began, and Microhouse is offering access to independent content in a way we have yet to see in this space. This is a strategic step toward sharing our incredible indie filmmakers' content with the masses in this popular format, and we're thrilled to be working with the Microhouse team," stated TFR CEO, Joe Dain.

As part of the partnership, Terror Films has released two new horror films in an exclusive window on July 7 as part of Microhouse's official launch.

"Episode 12" Directed by Shawn Robinson

On June 6, 2023, a television show called Paranormal Closure was abruptly and mysteriously pulled from all broadcast stations with no official statement as to why. One year later, a video surfaced online claiming to be from an episode that never aired. Official Trailer:

"Beliath" Directed by Cristian Peters

What begins as a routine crime report soon spirals into a descent through eerie folklore, buried cults, and unsettling discoveries that blur the line between journalism and obsession.

Both films are exclusively available on Microhouse and will be released across multiple digital platforms sometime in late August. Additional TFR titles available on the app include "Terror Tales: Poetry & Death Volume One,""Restitution," as well as two documentary films, "22" and "Unmasking Monsters Below," from TFR's sister label, Global Digital Releasing. Visit the Microhouse Films website for a free preview and to download the app here.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/6/26 Christopher James 7/6/26

(NEWS) FOUND TV’S Jagged July Releases Coming Soon

Every month, Found TV proves why it's become the go-to destination for found footage horror fans, delivering a carefully curated mix of hidden gems, cult favorites, and exclusive original films you won't find anywhere else. This month, "Jagged July" slices its way onto the platform with another lineup designed for anyone who loves shaky cameras, terrifying discoveries, and stories that feel just a little too real. Beyond celebrating the genre's past, Found TV continues to shape its future by championing independent filmmakers and expanding its growing slate of original productions, making it one of the most exciting homes for found footage horror today. From exclusive originals to unforgettable frights, "Jagged July" is another reminder that Found TV continues to be the premier destination for found footage horror. Dim the lights, shut the blinds and get ready. Mark your calendars for these upcoming releases.

July 3 – "The Monster Project" (2017) - A recovering drug addict takes a job with a documentary crew planning to interview three subjects who claim to be real-life monsters. Available in North America and Australia only.

July 7 – "Yami Douga 24" (2020) - The 24th installment in the "Yami Douga" series.

July 10 – WORLD RELEASE & FOUND EXCLUSIVE: "Himalaya: Black Ice Edition" (2026) - A live investigation of the supernatural goes horribly wrong, unleashing a primitive Himalayan creature known as the Snow Ghost.

July 14 – "The Dark Tapes" (2016) - A genre-defying blend of horror, science fiction, myth, mystery, and thrills unfolds through four interconnected stories. Ghosts, spirits, creatures, demons, and other paranormal entities collide with rational curiosity in this intelligent anthology. Available in North America only.

July 17 – "The Hounds Gate Haunting" (2025) - When an amateur theater troupe stages a ghost story at Nottingham's historic Hounds Gate Theatre, they awaken the venue's real-life phantom. Can they escape before it's too late?

July 21 – "Yami Douga 25" (2020) - The 25th and final installment in the "Yami Douga" series.

July 24 – WORLD RELEASE & FOUND ORIGINAL: "I Hate Found Footage" (2026) - When two roommates head into the woods to make a found footage movie, they stumble across something they never expected. Their low-budget film shoot quickly turns into a desperate fight for survival in this horror-comedy.

July 28 – "Man Chicken" (2025) - In this found footage horror-comedy, two brothers set out to find the urban legend known as "Man Chicken." As they venture deeper into the forest, the terrifying truth begins to reveal itself.

July 31 – "#ChadGetsTheAxe" (2022) - Four social media influencers livestream their visit to Devil's Manor, the former home of a satanic cult. Available in the United States and Canada only.

July is shaping up to be a massive month for found footage and supernatural horror. This month’s lineup continues FOUND TV’s commitment to delivering unsettling found footage films, paranormal storytelling, and unique genre filmmaking from around the world. With a mix of original productions, exclusive releases, cult favorites, and disturbing late-night discoveries, there’s something here for every horror fan. Whether you’re into haunted investigations, psychological breakdowns, cursed recordings, or digital-age nightmares, July’s releases offer plenty of reasons to keep the lights on. If you’re new to FOUND TV, use my code ILOVEHORROR for $5 off your yearly subscription.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 7/2/26 Christopher James 7/2/26

(REVIEW) "FRANKIE, MANIAC WOMAN" Brings Bloody Mayhem to VOD July 14th

Horror has always had incredible women. For years, many were expected to spend two hours running from the killer instead of becoming one. Thankfully, those days are becoming less common. Modern horror has moved well beyond the traditional "final girl" formula, embracing women as complex protagonists, antiheroes, and sometimes even the very villains who steal every scene they're in. It's a welcome evolution for the genre because it has opened the door to more original stories, deeper characters, and filmmakers who aren't afraid to take creative risks. Some of the most memorable horror movies don't simply ask who survives until the credits roll. They question what occurs when our hero transforms into someone others dread. As a lifelong horror fan, I love seeing that kind of storytelling because it keeps the genre evolving instead of relying on the same formula time and time again. We all want to be scared, but what I think we want more is scares in a new and unique way that keeps life as a horror fan that much more interesting.

I recently had the chance to check out "Frankie, Maniac Woman," directed by Pierre Tsigaridis and co-written by Tsigaridis and Dina Silva. The film follows Frankie Ramirez, an aspiring singer-songwriter whose childhood trauma, insecurities, and relentless pressure to meet impossible beauty standards slowly push her toward a psychological breaking point. What begins as an intimate character study gradually becomes a brutal slasher filled with dark humor, shocking violence, and an emotional core that gives the story far more depth than I expected. Dina Silva leads the cast alongside Rocío de la Grana, Stefanie Estes, Jordan Kelly DeBarge, Tim Fox, and a talented supporting ensemble that brings Frankie's increasingly chaotic world to life. On paper, the premise may sound familiar, but the execution quickly proves otherwise. Rather than rushing headfirst into the bloodshed, the film patiently builds its characters and themes before pulling the rug out from under both Frankie and the audience. The result is a slasher that feels emotionally grounded, but once the gloves come off, so do a few body parts.

One of the first things that immediately grabbed my attention was the movie's visual style. Opening in black and white before gradually bursting into full color is such a bold, creative choice, and thankfully it's much more than a gimmick. The shift mirrors Frankie's emotional descent, making each splash of color feel like another piece of her sanity slipping away. It instantly reminded me of "Kill Bill," only this feels like its psychotic cousin that traded martial arts for gallons of blood and complete emotional chaos. Every frame has a purpose, and the cinematography never loses sight of the story it's trying to tell. It's stylish without becoming distracting, proving that you don't need an enormous budget to create memorable visuals when you have a clear artistic vision.

What I appreciated even more was how naturally the movie blends its horror with real-world issues. Beneath all the blood and brutality is a story about the impossible standards women are expected to live up to every single day. Whether it's body image, appearance, or the constant pressure to chase an unrealistic idea of perfection, "Frankie, Maniac Woman" taps into those anxieties without ever feeling preachy. Instead, it allows those struggles to fuel Frankie's transformation in a way that feels believable, tragic, and, at times, surprisingly heartbreaking. The horror works because the emotional foundation is already there. By the time Frankie's world completely unravels, you understand why she's reached that breaking point, even if you can't justify where she ultimately goes.

As much as I enjoyed the story, the movie simply wouldn't work as well without Dina Silva's performance. She completely disappears into the role, making Frankie's transformation from vulnerable and hopeful to terrifyingly unhinged feel incredibly natural. It would have been easy to play the character as over-the-top once the violence starts, but Silva shows remarkable restraint early on, allowing every emotional crack to build until everything finally explodes. By the end of the movie, I wasn't watching an actress trying to act crazy. I was watching someone who genuinely felt like they had reached the point of no return. I was also pleasantly surprised by what a talented singer she is, which adds even more authenticity to Frankie's dream of making it in the music industry. Without her performance, this movie simply wouldn't have had the same emotional impact.

The supporting cast deserves plenty of credit as well. Every character feels like they belong in Frankie's world instead of existing simply to become another name on the body count. Their performances help establish the relationships and emotional stakes that make the second half so satisfying. That's something many slashers overlook, but it makes a noticeable difference here. When the chaos finally erupts, there's genuine weight behind what's happening because the movie took the time to make these characters feel like real people. Combined with the screenplay and Pierre Tsigaridis' confident direction, the performances help everything come together in a way that feels surprisingly seamless.

Let's talk about the gore because, honestly, this is where "Frankie, Maniac Woman" completely won me over (besides the amazing storyline of course). If you're anything like me, practical effects will almost always beat CGI, and this movie reminded me exactly why. Every kill feels handcrafted with genuine care and creativity. The blood has weight to it. The makeup effects feel tangible, and nothing ever looks overly polished or artificial. Every gruesome moment has a physical presence that pulls you deeper into the madness instead of taking you out of it. My inner practical-effects nerd couldn't stop smiling. It's movies like this that remind me why I love championing independent horror. When filmmakers trust talented effects artists instead of relying on digital shortcuts, the results almost always leave a much bigger impression.

One of the things I appreciate most about independent horror is the willingness to take creative risks. Major studios tend to use safe transitions in films, while independent filmmakers take risks, even if it unsettles viewers. "Frankie, Maniac Woman" embraces that mindset from beginning to end. More than anything, it feels like a movie made by people who genuinely love horror. You can feel that passion in nearly every frame, and that enthusiasm becomes contagious as the movie continues to spiral into absolute insanity.

One sequence that has stayed with me ever since the credits rolled is the bathtub overflowing with body parts. I never thought I'd describe a bathtub full of severed limbs as visually impressive. Still, horror has a funny way of making you appreciate things you'd probably never admit in public. It's grotesque, disturbing, and somehow strangely beautiful from a practical effects standpoint. You can't help but admire the craftsmanship behind it because every detail looks like it was created with care instead of convenience. Those are the moments horror fans tend to remember long after the movie ends, and this one absolutely earns its place among them.

As a lifelong horror fan, I also couldn't help but appreciate the love this movie shows for "The Texas Chain Saw Massacre." You can feel that influence woven throughout the film, but it never comes across as imitation. Instead, it feels like a genuine tribute from filmmakers who clearly understand why that classic continues to inspire generations of horror fans. That admiration becomes especially apparent during the finale, which was easily one of my favorite parts of the movie. I caught myself grinning as the inspiration became more obvious, not because I felt like I'd seen it before, but because "Frankie, Maniac Woman" still had the confidence to carve out its own identity while tipping its hat to one of the greatest horror movies ever made. Even during the bloodiest moments, the cinematography never loses its composure. Every shot feels carefully crafted, proving that style and brutality can absolutely coexist.

If I had one criticism, it's that the first act takes a little longer to find its footing than I personally prefer. I'll admit there was a point where I found myself waiting for things to really kick into gear. If you're expecting nonstop carnage right from the opening scene, you may find yourself checking the clock once or twice. Stick with it. Once the movie flips the switch, it rarely lets up. Looking back, that slower beginning gives the second half far more emotional weight, making Frankie's transformation feel earned instead of rushed. Sometimes patience really does pay off, and I think that's exactly the case here.

A tremendous amount of credit belongs to Pierre Tsigaridis, whose direction gives every creative decision a clear sense of purpose. From the striking black-and-white opening to the explosion of color, from the quieter emotional moments to the blood-soaked chaos that follows, everything feels intentional. Pair that with the screenplay from Pierre Tsigaridis and Dina Silva, and you get a film that balances psychological horror, social commentary, dark humor, and old-school slasher mayhem without ever losing its focus. That's a difficult balancing act, but the filmmakers make it look remarkably effortless. More importantly, they never lose sight of the emotional story underneath all the carnage, and that's what gives the movie its lasting impact.

By the time the credits rolled, I found myself thinking about "Frankie, Maniac Woman" long after the movie was over, and that's one of the biggest compliments I can give any horror movie. It's stylish, brutal, emotionally grounded, and anchored by a lead performance that exceeded every expectation I had going in. Dina Silva delivers the kind of performance that makes you forget you're watching someone act. There were several moments where I completely forgot there was even a camera in the room because her emotional descent felt so authentic. That's not something every horror movie can pull off.

More importantly, this is exactly the kind of film that reminds me why I love seeking out independent horror. Sometimes all a horror fan really needs is a compelling story, memorable characters, buckets of fake blood, filmmakers with a genuine passion for the genre, and the confidence to try something different. "Frankie, Maniac Woman" delivers on every one of those fronts. If you're looking for a slasher that blends heart, horror, memorable practical effects, and a fresh perspective on female-led horror, make sure to check it out when it arrives on VOD and digital platforms on July 14. If independent horror continues heading in this direction, horror fans have a lot to be excited about, and I can't wait to see what the filmmakers behind this one do next.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/29/26 Christopher James 6/29/26

(NEWS) “DON’T MOVE” Will Have You Running To Theaters This September

When a horror novel makes the leap from the page to the big screen, everybody wins. Readers get the excitement of watching the terrifying moments they've imagined come to life. At the same time, moviegoers discover a brand-new horror story that might just send them racing to the nearest bookstore after the credits roll. Some of horror's most memorable films started as novels (“Bram Stoker’s Dracula,” for example). Every new adaptation brings another opportunity to see how filmmakers interpret the scares, creatures, and suspense that first captivated readers. It's one of my favorite things about the horror genre. There's always that fun debate over which version is better, but before that conversation even begins, it's exciting to see another horror story earn its chance on the silver screen.

That opportunity arrives this September with "Don't Move," the upcoming creature feature directed by Maclain Nelson and based on the chilling novel "Don't Move" by James "Murr" Murray and Darren Wearmouth. The film follows a stranded group of campers who unknowingly hike into the wrong stretch of wilderness, only to discover they're being hunted by a prehistoric arachnid that has no intention of letting anyone leave alive. If giant spiders weren't unsettling enough already, this one looks ready to unlock a whole new level of nightmare fuel. The film stars Lyndsy Fonseca, T-Pain, Russ, Tom Cavanagh, Hunter King, Rob Riggle, and Joseph Lee Anderson, assembling an eclectic cast that's more than capable of bringing this suspense-filled survival story to life. Seeing T-Pain step into the horror genre alongside such a talented ensemble only adds another layer of intrigue to what is already shaping up to be a fun creature feature.

While many people know James "Murr" Murray as one-fourth of the wildly successful television series "Impractical Jokers," horror fans have watched him quietly build an impressive career as a horror author over the past several years (he has even teamed up and worked with famous children’s horror author R.L. Stine on “Nightmare on Nightmare Street”, " which was released this year in February). Teaming with Darren Wearmouth, Murray first ventured into horror with "Awakened," followed by its sequel "The Brink." He later delivered the pulse-pounding "Don't Move," the thriller "The Stowaway," and most recently, "You Better Watch Out," proving that his passion for horror extends far beyond practical jokes. It's been genuinely fun watching someone best known for making audiences laugh successfully transition into crafting stories designed to make readers squirm. This all but proves the old saying that if you can do comedy well, you can do anything.

As someone who's always happy to see more creature features crawling into theaters, "Don't Move" has quickly become one of my most anticipated horror releases of the year. There's something timeless about throwing ordinary people into an impossible situation against a monster they can't outrun, outfight, or outthink. If the film captures even half of the tension and suspense that made the novel such a page-turner, horror fans should be in for one seriously entertaining ride. And if you're counting down the days until opening night, now is the perfect time to pick up "Don't Move" and experience the story that started it all before seeing how it unfolds on the big screen.

"Don't Move" crawls exclusively into theaters on September 11, 2026. If you're anything like me, you may want to think twice before your next camping trip.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/24/26 Christopher James 6/24/26

Let Evil Out With The Newest Trailer For “LOCKBOX” (NEWS)

Demonic possession remains one of horror's most reliable sources of nightmare fuel. While trends come and go, there's something uniquely unsettling about the idea of an unseen evil force invading someone's life. Knowing that they are potentially lurking in the shadows, twisting reality, and turning the people we care about into something unrecognizable. It's a subgenre that continues to terrify audiences, and judging by its newly released trailer, "Lockbox" looks ready to deliver its own chilling take on supernatural horror.

The upcoming film comes from Daniel Stamm, the director behind "The Last Exorcism" and "Prey for the Devil," and follows Ellen, a grieving woman seeking a fresh start after the death of her mother. Hoping to find some peace, she relocates to a rural town and takes in her severely traumatized cousin, Winthrop. However, their fragile attempt at rebuilding their lives quickly begins to unravel when a troubled neighbor warns Ellen that Winthrop may be far more dangerous than he appears.

As strange and increasingly terrifying events begin to unfold, Ellen finds herself caught between protecting her cousin and confronting a sinister otherworldly entity determined to find him. The film's tagline, "Evil Wants Out," hints that whatever is hunting Winthrop may be connected to something far darker than anyone realizes.

Leading the cast is Carla Gugino, whose horror résumé includes "The Haunting of Hill House," "Gerald's Game," and "The Fall of the House of Usher." She's joined by Lou Taylor Pucci ("Evil Dead," "Touch Me") and Katharine Isabelle ("Ginger Snaps," "Backrooms"). Behind the scenes, the film is produced by Dark Castle Entertainment and Kearie Peak, with a screenplay by Soren Narnia and Justin Yoffe.

Personally, this trailer hooked me almost immediately. Rather than revealing every scare and plot point, it focuses on atmosphere, tension, and mystery. The imagery is unsettling, the performances look strong, and the trailer leaves just enough unanswered questions to make me want to see more. Plus, what a cast!! In an era where trailers often show far too much, it's refreshing to see one that understands the value of restraint.

Based on this first look, "Lockbox" is shaping up to be a supernatural horror film worth keeping an eye on. Horror fans can find out what happens when evil finally gets out when "Lockbox" arrives exclusively in theaters on July 3rd. Stay tuned for my full review.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/20/26 Christopher James 6/20/26

TERROR FILMS RELEASING Presents “FOLKLORE FRIDAYS: THE BIGFOOT ARCHIVES” (NEWS)

Just when you thought it was safe to go back to watching documentaries, Terror Films Releasing has traded “Terror Tuesdays” for “Folklore Fridays.” Their newest collection of cryptid documentaries promises mysterious creatures, unsettling legends, and enough nightmare fuel to keep your imagination working overtime.

From legendary creatures whispered about for generations to modern-day sightings that continue to spark debate, these stories have a way of lingering long after the credits roll. Whether you're a longtime believer, a curious skeptic, or someone who simply enjoys a good folklore-fueled scare, there's something undeniably fascinating about tales that blur the line between myth and reality. These are the kinds of stories that spark curiosity, fuel nightmares, and keep viewers looking over their shoulders long after the screen goes dark. Terror Films Releasing recently sent over a press release and dropped it straight into my “impending doom” inbox. Here’s the scoops:

FROM THE TERROR FILMS RELEASING PRESS RELEASE:

Seth Breedlove, Courteney Breedlove, Heather Moser, Aleksander Petakov, and Aaron Deese of SMALL TOWN MONSTERS have partnered with Terror Films Releasing to unleash 20 of their folklore documentaries across digital platforms.

The partnership kicked off in June with the release of five documentaries, dropping one every Tuesday throughout the month as part of what the genre distributor dubbed “Terrifying Tuesdays.” The terror continues this July, only this time with a new Bigfoot documentary arriving every Friday as part of what TFR is calling FOLKLORE FRIDAYS: THE BIGFOOT ARCHIVES.

For many viewers, this marks the first opportunity to watch these documentaries across major streaming platforms, including Vudu, Amazon, Tubi, and more. Check out the trailers and promotional artwork below, courtesy of TFR and STM.

July 3, 2026 — "Night of the Swamp Stalker"

Eyewitnesses recount chilling encounters with swamp-dwelling Sasquatch across Florida’s Everglades, Green Swamp, and Louisiana’s Honey Island. Featuring Lyle Blackburn, this raw, interview-driven documentary explores the enduring mystery of the legendary Skunk Ape.

July 10, 2026 — "Chasing Legends"

"Chasing Legends" follows dedicated Bigfoot researchers across North America—from Oklahoma’s Area X to the forests of Ohio—as they pursue evidence of the elusive creature. Through eerie encounters, unexplained sounds, and personal sacrifice, the film reveals how belief and obsession can blur the line between myth and reality.

July 17, 2026 — "The Alaskan Sasquatch Revealed"

Part of The Bigfoot Archives collection, "The Alaskan Sasquatch Revealed" investigates chilling encounters deep within Alaska’s rugged wilderness. Eyewitnesses describe towering, intelligent Sasquatches—some reportedly standing over ten feet tall—whose elusive nature raises unsettling questions about what may be lurking beyond the frontier.

July 24, 2026 — "Operation Silence"

"Operation Silence" explores claims of a government effort to suppress evidence of Bigfoot’s existence. Featuring experts, eyewitness testimony, and reports of secret recoveries and covert operations along Pennsylvania’s mysterious Chestnut Ridge, the documentary dives into one of the cryptid world's most controversial theories.

July 31, 2026 — "Sasquatch Hunters"

From grainy footage to cutting-edge technology, "Sasquatch Hunters" plunges viewers into the fascinating world of Bigfoot researchers, scientists, skeptics, and true believers. Through their encounters, evidence, and relentless pursuit of the unknown, the film examines why the legend continues to captivate so many.

Terror Films Releasing is a genre distribution and production company specializing in the acquisition and release of diverse, award-winning independent horror films. The company partners with more than 60 streaming and digital platforms worldwide, including Shudder, Screambox, Netflix, Tubi, Amazon Prime Video, and many more. To learn more, visit www.terrorfilms.net.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/16/26 Christopher James 6/16/26

TERROR FILMS RELEASING & SMALL TOWN MONSTERS Bring Cryptid Nightmares to "TERRIFYING TUESDAYS" (REVIEW)

One of the reasons I've always loved horror is that the genre doesn't end when the credits roll. Some of the best horror stories exist outside of movies entirely. The keep living on through folklore, eyewitness accounts, and legends that refuse to die. As horror fans, we spend a lot of time celebrating iconic killers, ghosts, and monsters on screen. In many aspects, I've always found it fascinating when I can trace those fears back to the stories that inspired them in the first place.

That's where horror documentaries come in. For me, they add another layer of appreciation to the horror genre. They allow me to dig deeper into the myths, local legends, and unexplained encounters that continue to fuel our collective obsession with the unknown. Whether it's Bigfoot wandering through the woods, a werewolf lurking on a forgotten backroad, or an ancient entity hiding in the shadows, these stories remind me why horror remains one of the most endlessly fascinating genres out there. Let’s be honest, a few things are more fun than watching a documentary that sends you down an internet rabbit hole at midnight when you should probably be sleeping. I am speaking from personal experience of course, but I can only assume my fellow horror fans are the same.

That's exactly why the partnership between Terror Films Releasing and Small Town Monsters feels like such a perfect match. Small Town Monsters has spent years building a reputation for producing documentaries that explore cryptids, folklore, and paranormal mysteries with genuine curiosity and respect. Now, thanks to Terror Films Releasing, twenty of those documentaries are making their way to wider audiences across major digital platforms.

To kick things off, TFR launched its "Terrifying Tuesdays" event throughout June, releasing a new documentary every Tuesday. The lineup began with "Tracking the Wendigo" on June 2, followed by "Still Watching: The Bigfoot Legacy of Salt Fork" on June 9, "Werewolves Unearthed" on June 16, "Skinwalker: The Howl of the Rougarou" on June 23, and "The Dogman Triangle: Werewolves in the Lone Star State" on June 30. Better yet, many of these documentaries are becoming available to wider audiences through Amazon Prime Video, Fandango at Home, Tubi, and other digital platforms. In other words horror fans, if your streaming queue wasn't already filled with horror content, Terror Films Releasing is here to fix that and entertain some fears into you.

"Tracking the Wendigo" (Released June 2)

Of the five documentaries in this lineup, "Tracking the Wendigo" may have been the one that intrigued me the most. The Wendigo has become a familiar figure in horror films, books, and video games, but this documentary digs into the legend's deeper roots and explores the cultural history behind the creature.

As someone who enjoys the folklore side of horror just as much as the scares themselves, I found this documentary particularly engaging. What stood out to me most was the film's willingness to approach the subject with respect rather than sensationalism. It never feels like it's trying to manufacture scares or force conclusions. Instead, it presents the history, stories, and modern accounts in a way that allows viewers to draw their own conclusions. Whether you're a believer or a skeptic, I think there's plenty here to appreciate. By the end, I wasn't looking for a Wendigo in the woods, but I definitely found myself thinking about the stories long after the documentary ended. If you get anything from this, it will be to spark your interest in the legend of the Wendigo or even fuel the fire (like it did for me) for why you love the legend of this cryptid so much.

"Still Watching: The Bigfoot Legacy of Salt Fork" (Released June 9)

At this point, Bigfoot has become the unofficial mascot of cryptid culture (unless you’re trying to be edgy and say Mothman deserves that spot. You know who you are). He's basically the celebrity guest star of the paranormal world. Yet "Still Watching: The Bigfoot Legacy of Salt Fork" manages to find a fresh angle by focusing on one of the most famous Sasquatch hotspots in America.

I've watched more Bigfoot documentaries than I can count, but this one stood out because of its focus on the people behind the legend. Seth Breedlove takes viewers into Ohio's Salt Fork State Park, where decades of sightings, encounters, and annual gatherings have helped create a modern cryptid landmark.

What makes the documentary work for me is its sincerity. It isn't interested in winning debates or converting skeptics. Instead, it focuses on the people, stories, and experiences that have kept the legend alive for decades. I found myself appreciating the passion of the witnesses and researchers, even when I wasn't entirely sure what to make of every claim. That's part of the fun with documentaries like this, you don't have to believe everything to enjoy the journey.

"Werewolves Unearthed" (Released June 16)

Werewolves don't receive nearly as much attention in the documentary world as Bigfoot, UFOs, or ghosts, which makes "Werewolves Unearthed" such a refreshing addition to the lineup.

I'll admit that Dogman stories aren't something I spend a lot of time researching, which is exactly why this documentary caught me off guard. Documentarian Ward Hiney and journalist Chad Christy investigate reports of Dogman encounters throughout the Ohio Valley and western Pennsylvania, uncovering stories that range from strange to genuinely unsettling.

One of the documentary's strengths is its treatment of eyewitnesses. Rather than mocking or dismissing their experiences, the filmmakers allow them to tell their stories while examining similarities between reports. I found myself increasingly invested as the documentary progressed, and by the end I was left with more questions than answers. Which, in my opinion, is exactly what a good paranormal documentary should do. This one will leave you howling at the moon for more. Fingers crossed we get another werewolf documentary in our futures.

"Skinwalker: The Howl of the Rougarou" (Released June 23)

The Rougarou is one of American folklore's most overlooked creatures, and "Skinwalker: The Howl of the Rougarou" does an excellent job bringing that legend to a wider audience.

Before watching this documentary, the Rougarou wasn't a cryptid I knew much about, which made discovering its history all the more interesting. Set against the swamps and bayous of the American South, the documentary explores stories of a creature said to have haunted the region long before modern settlements transformed the landscape.

For me, the setting became one of the documentary's greatest assets. The dense wilderness, isolated waterways, and rich cultural history create an atmosphere that feels tailor-made for supernatural storytelling. I particularly enjoyed how the film highlights a lesser-known legend rather than relying on the usual cryptid suspects. Sometimes horror's most interesting monsters are the ones that haven't already become household names. This will be one that is going to leave you wanting to dig that rabbit hole well into the wee hours to find out more.

"The Dogman Triangle: Werewolves in the Lone Star State" (Released June 30)

Closing out the month is "The Dogman Triangle: Werewolves in the Lone Star State," which follows Aaron Deese and Shannon LeGro as they investigate reports of Dogman activity throughout Texas Hill Country.

What I enjoyed most was feeling like I was tagging along on the investigation rather than simply watching it unfold from a distance. The documentary explores a region where witnesses claim encounters with creatures that defy explanation, creating what some have dubbed the Dogman Triangle.

The road-trip style of the investigation keeps things moving while allowing viewers to experience the mystery alongside the filmmakers. It's an entertaining blend of travel documentary, folklore exploration, and cryptid investigation that serves as a fitting conclusion to the Terrifying Tuesdays event. By the end, I found myself looking at remote stretches of Texas landscape and thinking, "You know what? Maybe I don't need to go hiking there after all."

With horror fans constantly searching for new stories, creatures, and legends to obsess over, Terror Films Releasing's Terrifying Tuesdays lineup arrives at the perfect time (especially for us horror fans who feel this year is the height of horror and we want as much content as we can get). Whether you're a lifelong cryptid enthusiast or someone who simply enjoys a good mystery, I think there's something in this lineup worth checking out.

What I appreciate most about documentaries like these is that they remind me that some of horror's greatest monsters didn't start in Hollywood. They started as stories shared around campfires, passed down through generations, and kept alive by people who swear they encountered something they still can't explain.

"Tracking the Wendigo," "Still Watching: The Bigfoot Legacy of Salt Fork," "Werewolves Unearthed," "Skinwalker: The Howl of the Rougarou," and "The Dogman Triangle: Werewolves in the Lone Star State" are available now or releasing throughout June as part of Terror Films Releasing's "Terrifying Tuesdays" event. Viewers can watch the documentaries on Amazon Prime Video, Fandango at Home, Tubi, and other participating digital platforms. For more amazing additions to the world of horror, look into the many terrifying films Terror Films Releasing has in their library.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!

Christopher James 6/8/26 Christopher James 6/8/26

“DIABOLIC” Brings Faith & Fear to Blu-ray

Horror and religion have always made for an uncomfortable combination. Faith is supposed to provide answers, comfort, and a sense of purpose, but horror thrives on uncertainty. That's why stories centered around religious communities, cults, and extreme belief systems often hit differently than your average haunted house or slasher film. They tap into fears that feel deeply personal. As someone currently living in Utah, the unofficial capital of people knocking on your door to discuss faith and the occasional guilt that come with not being religious, I found myself connecting with some of the themes in “Diabolic” more than I expected. No, I wasn't chased by a vengeful witch after watching it, but the film's exploration of rigid beliefs and isolated religious communities definitely landed a little closer to home than most supernatural horror movies.

Directed by Daniel J. Phillips and co-written by Phillips and Mike Harding, “Diabolic” tells the story of Elise (played by Elizabeth Cullen), a woman who returns to the fundamentalist compound of the FLDS church where she was raised. Returning home is never easy, but it's especially difficult when your childhood memories are no longer with you, leaving you to piece together who you were, and a supernatural force that may or may not want you dead.

Right away, “Diabolic” establishes a sense of unease that never really lets up. The compound (which is a really just a cabin where the baptisms take place) itself almost feels like a character. It's isolated, unsettling, and carries the kind of atmosphere that makes you want to turn your car around and keep driving. There is a lot of darkness and thick air filled with something sinister that you vibe with as soon as the movie puts you there with the characters. Phillips does a fantastic job creating tension without constantly throwing jump scares at the audience. Instead, he allows dread to slowly seep into every scene like water finding its way through cracks in a basement wall.

Cullen is excellent as Elise. She gives the audience someone to root for while also conveying the emotional damage her upbringing left behind. Her performance feels genuine throughout, especially during the quieter moments when she's forced to confront memories, she'd rather leave buried. Horror often works best when the emotional struggles feel just as real as the monsters, and Cullen succeeds in making Elise's pain believable. The way she can pull all these range of emotions with her character at the drop of a hat that makes you anxious to see what will happen next for Elise.

The supporting cast helps bring the atmosphere and foundation of the movie to life. John Harlan Kim delivers a solid performance as Adam, while Mia Challis, Genevieve Mooy, Robin Goldsworthy, and the rest of the cast create a believable community that feels trapped between faith, fear, and loyalty. The relationships never feel forced, which helps the story remain grounded even as the supernatural elements begin taking center stage.

I was also fortunate enough to receive the Blu-ray release of “Diabolic”, and it's one horror collectors may want to keep on their radar. While streaming is convenient, this is one of those releases where the special features genuinely add value to the experience. The disc includes three separate audio commentaries featuring Daniel J. Phillips alongside cinematographer Michael Tessari, sound supervisor Hamish Keen, composer Will Spartalis, and editor Sean Lahiff. What I appreciated most is that each commentary offers a unique perspective on the film's many layers. One track explores the visual and production side of the movie, while others dig into the sound design, editing decisions, musical score, and the creative choices that helped shape the final product. Along with a promotional featurette and trailer, the Blu-ray provides a deeper look into the filmmaking process and serves as a reminder that physical media can still offer something streaming simply can't. If you're the type of horror fan who enjoys learning how a film comes together behind the scenes, there's plenty here to sink your teeth into.

What I appreciated most about “Diabolic” is that it understands the witch isn't the only source of horror. In fact, some of the film's most disturbing moments have nothing to do with the supernatural at all. The story explores how control can be disguised as guidance and how unquestioned authority can leave lasting scars. Those themes give the film additional weight and prevent it from becoming just another witch story.

Visually, the movie looks fantastic. The Australian landscape provides a beautiful backdrop that contrasts nicely with the darkness lurking beneath the surface. Wide shots emphasize the compound's isolation, creating the feeling that escape may not be as simple as hopping in a car and heading down the road. Even during daylight scenes, there's an underlying tension that keeps viewers on edge. The exterior shots of the small cabin surrounded by the eerie forest was mesmerizing, yet made you afraid of what was going to happen next.

The witch herself is handled with restraint, and that's a smart choice. Too many horror films reveal their monsters too quickly and end up diminishing their impact. “Diabolic” takes the opposite approach. The threat is often felt before it's seen, allowing the audience's imagination to do some of the heavy lifting. Sometimes what we don't see is far more terrifying than what we do.

The pacing won't work for everyone. If you're looking for wall-to-wall chaos and nonstop scares every five minutes, you may find parts of the film a little deliberate. Personally, I thought the slower pace worked in its favor. The movie takes time building its characters and atmosphere, which makes the payoff more satisfying when things begin unraveling. Not every horror movie needs to move at the speed of a caffeinated demon.

“Diabolic” also deserves credit for how it handles trauma. Elise's journey isn't simply about surviving a supernatural threat. It's about confronting a lifetime of emotional wounds and deciding whether she can finally break free from the hold her past still has on her. That emotional core gives “Diabolic” far more substance than many modern horror releases.

By the time the third act arrives, the tension reaches a boiling point. The supernatural and psychological elements collide in a way that feels earned rather than forced. Without venturing into spoiler territory, the finale delivers several memorable moments that should satisfy horror fans looking for both emotional and supernatural payoff. The side story of the mystery of Elise’s friend Clara is a great part of investigating more of what happened in her life there, as well as one hell of a twist.

“Diabolic” may not completely reinvent religious horror, but it doesn't need to. What it does offer is an unsettling blend of psychological tension, supernatural terror, strong performances, and meaningful themes. Daniel J. Phillips creates a world that feels authentic and disturbing, while Elizabeth Cullen anchors the story with a performance that keeps viewers invested from beginning to end.

If you're a fan of slow-burn horror that values atmosphere, character development, and creeping dread over cheap thrills, “Diabolic” is worth your time. It's a haunting examination of faith, trauma, and the dangers of blind devotion wrapped inside an effective supernatural thriller. Plus, if you happen to live in Utah like I do, don't be surprised if some of its themes hit a little harder than expected. Be sure to get your copy of “Diabolic” on DVD and Blu-ray today.

Whether it’s slashers in the woods, ghosts in the attic, or killers in the cornfield, ILHM Reviews brings you the frightful horror flick recommendations worth watching. Follow us on Instagram, be sure to listen to the "I Love Horror" podcast and remember that if you’re a true fan of horror, every night can be a FRIGHT NIGHT!